Showing posts with label 18mm. Show all posts
Showing posts with label 18mm. Show all posts

Sunday, September 13, 2020

Paint Table Sunday: Back from a break, reading a wargames magazine over lunch, new temptations and devil dogs




I haven't been painting for  around two months now, largely because the Old Bat has taken a turn for the worse with her Long Covid and Charlotte has been unwell too, so I have spent a lot of time running around after them, going to pick up prescriptions, take the Bat for blood tests, doing domestic stuff, gardening (ugh) and cooking with some work fitted around all that. Latterly it has been the Tour de France on TV as well. Really, however, I have just not felt like it. We had that very hot weather which made painting impossible and then it got very grey and dark and I really need good light to paint as I cannot manage it under artificial light at all. Mainly, however, I was in that situation where the figures I had started on my workbench (to use an inappropriately artisanal term which makes it sounds like I could actually make something) were really only just started. I find nothing more demotivating than having a load of figures which are a long, long way from being finished.




Today, however, I actually sat down and did an hour's painting. It was all base coat stuff and I was struggling with my eyesight again but I will try to do a bit every day; as I have done in the past. I have Lucid Eye Atlanteans, Crooked Dice V aliens and some of the new Wargames Atlantic Afghans on the go. Now, since I got the latter, Perry have announced their own plastic Afghans as well but I will just get those too. With Afghans you need as many different figures as possible. More interestingly, Wargames Atlantic have announced plastic mounted Afghans which I will need for my The Men Who Would be Kings force (as I have actually painted my British starter force). I suspect the Afghans will be quicker to paint than the others.




In the past, my far from eagerly awaited pieces, Reading Wargames Magazines Over Lunch, have described a succession of meals in London, usually in what would otherwise be non productive gaps in my work schedule between meetings. No such luxury these days, as I haven't been to London since 28th February, so it was a rather unexciting tuna salad (the only fish I eat, along with smoked salmon) in the garden as I am on yet another gentle fitness programme. 


A long time ago as photographed by Sophie...


This one is working quite well, mainly because I do not have the Old Bat bullying me into running which I can no longer do, due to bad knee and hip joints (caused by doing too much road running in my twenties and thirties). Instead, I spotted something on Facebook called the Conqueror Challenge where someone (in New Zealand, where there is little to do) organises set walk routes which you do virtually. So you choose your target walk (I chose the ninety mile Hadrian's Wall) and you go out and walk (or run or cycle) whenever you want and put the total down (I've worked out how to do this on my phone or, rather Charlotte did).  You pay £28 per challenge and then have a homepage you can plot your progress on. The Old Bat thinks that paying someone else so you can walk is insanity but it is working and I have been doing it for three months now. I completed Hadrian's Wall and am now doing the 280 mile Grand Canyon (as I have visited there). You can even see where you have got to, virtually, on Streetview. The Streetview views of the Canyon are not very interesting. It's a rocky canyon with a river at the bottom. That's it. Even Up North looks more interesting than that.




They even send you a very blingy medal when you finish so you do get something for your money. When I started, in June, I struggled to walk a mile and a half and was puffed and had chest pains but a month ago I walked six and a half miles home from Epsom hospital after my latest eye injection. You aren't allowed to drive after the injection and the Old Bat is still too ill to drive me, so the fact I could walk that far (in thirty four degree heat) shows how far I have come. No more breathlessness and no chest pains! I have to admit that accompanying wine and food for the Tour may have had a somewhat retrograde effect in the last two weeks, though, so I did another six and a half mile walk today.

Wargames Illustrated have been giving away a lot of Warlord Games figures. I can't bear to throw them away but I don't want most (any?) of them. There must be lots of wargamers with piles of these things. It's like accumulating Salute figures or free plastic rubbish from cereal packets in the sixties. The idea, of course, is that you look at your freebie and then go out and buy more. The opposite has been true of me, I am afraid. I looked at a set of Warlord Napoleonic cavalry and was so unimpressed by the poor sculpting and lack of crispness in moulding I vowed never to buy any Warlord plastics again. Victrix they are not. Anyway, last month the give away was a set of rules for Warlord's new French bread pizza naval wargame, Victory at Sea, which I have no interest in, having seen the ridiculous bases the models are on. Maybe it's not selling very well. Despite being interested in warships and having built many an Airfix ship model in the past I have no interest in naval wargaming. I just see an article in a wargames magazine on naval wargaming and my brain goes into power-saving mode. Yawn. So I didn't bother reading the rules showcase on the rules or another article about eighteenth century naval wargaming. I don't scan over the articles in Miniature Wargaming because the type is now so small I struggle to read it even with my reading glasses. I have to really want to read it to strain my eyes that much. Surely most wargamers are old like me and have eyesight that has deteriorated? Perhaps not. My father in law is 92 and doesn't use glasses for anything.

There was quite an interesting article on how wargames manufacturers are coping with the Chinese Virus but I was surprised, given Baccus employ seven staff, to discover, according to the article, that Warlord employ 103 people. One thing that occurred to me, regarding all the lockdown stuff, was how many rules writers were producing new solo versions of their games. I think I wouldn't buy a set now if it didn't have some solo rules as, realistically, I am not going to be able to organise my own games for multiple players. None of my close friends are interested in wargaming (possibly because most of them are women). I am still too nervous about the Chinese Virus, seeing what it has done to the Old Bat, to venture over to the Shed, despite Eric's kind invitations. Will things return to normal and solo players be forgotten again or will the Chinese keep churning out deadly viruses every year in their bat infested labs until they have achieved the crushing economic dominance they are seeking in their, no doubt, forty year plan?


Starlux 54mm (cicra 1970)


I always look at the figure reviews in magazines and in the August issue I discovered that the new Plastic Soldier Company 15mm ancients figures are made of that new plastic resin which gives them bendy spears, No thanks. I had enough of that with my Airfix figures. Presumably, if they used hard plastic the spears would all break off, which demonstrates, once more, how inferior 15 mm is as a scale for model soldiers because the material you make them from seriously distorts the look of the figures (metal ones have fat spear syndrome, of course). Also, in the review section were the new Victrix French Imperial Guard lancers, How lovely are these? I would love a box of them! My father bought me a Starlux, painted 54 mm figure of a Dutch lancer (sorry, it's a better uniform than the Polish ones) when we went to Paris when I was small (I still have it).




 But I saw an early painted example (above) of the Vixtrix models which just made me realise that I can't paint Napoleonics any more. Does unattainable quality painting of this level actually put people off from buying? It did me.  I couldn't even begin to approach this level of painting. Just trying would stress me out. Thinking about the stress I have experienced here in Chez Sick over the last months I realise that one of the reasons I haven't been painting is that I often find painting figures stressful, not relaxing, when things don't go the way I want them too.

The theme of much of the magazine was command and control which writers all seem to think isn't considered very much in wargames magazines but actually seems to come up quite regularly. This is of great import to the gamer (rather than painter, like me) end of the hobby who love to bang on about it all the time. I remember many tedious discussions about it when I went to Guildford Wargames Club (an old school sort of club) which I no longer go to, partly because of the stress of driving down the A3 on a Monday night in an eighty mile an hour traffic jam. I didn't read any of these command and control articles as they are probably designed for all those people who used to write orders on paper or have courier models to deliver orders. They tend to not care if their wargames table are covered in counters (which I hate). 




There was one article I actually bought the magazine for. I recently picked up Dragon Rampant, as it was reduced, and this article by Daniel Mersey, the rules' author, included all the statistics for the Copplestone Barbarica range of 18mm fantasy figures. Well, the name Barbarica is fairly recent, they weren't called that when they first came out (18mm Fantasy was the catchy name Mr Copplestone devised) and I bought a lot of them. Having been rude about 15/18mm figures in my last (and this) post I am quite excited now about organising some armies for these rules, as they require small forces. I painted some of these about nine years ago (above) and have some others underway (if I can still manage to paint them!). They are very small.




Now, of course, I shouldn't buy any more figures but I did buy into the Kickstarter for Hot and Dangerous figures which are, essentially, 28mm models of attractive ladies in historical uniforms (what can be their appeal?). They are reasonably historical and not too pin-up like, compared with some I have seen, perhaps because, they have a lady designer. They are a Polish firm, I believe. Certainly some will go on eBay but I just hope I can paint them to the standard they deserve.

A major temptation are the Perry brothers announcement of plastic Franco-Prussian War figures. Will this mean metal ones as well? I bought some Franco Prussian figures from Eagles of Empire some time ago but they were, perhaps, a little too idiosyncratic in style for me.




However, this week Eagle of Empires announced a new range of First Schleswig War figures. Now some years ago Matt Golding, of Waterloo to Mons, started to produce his own range of (25mm) figures for this but the range went into limbo, so I might be very interested in these, depending on what the figures look like. Early examples look good.

Good news is that North Star have put their 1864 range back up on their website so I will order some more Danes to finish my first unit.

Two rants this week. One wargames related and one not.

Now, last time I derided the people who hijack new products launches with demands for information on forthcoming pet projects or different scales. This time I have recently seen examples of ridiculously inappropriate ranges in plastic. Some time ago Victrix launched a page on the internet where people could make requests as to what they would like the firm to do next. As ever, some of the answers amazed me. Now I see Victrix as what I would call a rank and file supplier. You buy lots of boxes of core troops in plastic from them and then fill out the more unusual items with metals. Making plastic figures is expensive so you need to be on to a sure seller to make money hence, no doubt, their focus on Napoleonics and Ancients/Dark Ages. Some of the suggestions are very sensible such as Biblical or Bronze Age figures where, rather like the Dark Ages, the number of different troop types needed is quite limited. It didn't take long for the first request for Dynastic Chinese to come in, then Renaissance Poles, fourteenth century Koreans, War of 1812, Bannockburn period, Spanish Civil War etc. Then there was a suggestion for Ancient civilians. And how much diversity will plastic enable you to do on these? Think, man, think. Then there were the people who said 'I know such and such a company already make them in plastic but yours would be better' (ACW and WW2). Then, of course, you had people suggesting plastic forts and dice. One woman suggested female figures including such future best sellers as RAF female supply pilots. Really? A plastic sprue of these? Calm down dear.  Wargames Atlantic, who are even more a rank and file supplier, have also just launched a similar poll to equally inappropriate answers.


This is how I see all dogs.


Speaking of which, one of Wargames Atlantic's recent sets was of Dark Age Irish, which would be quite useful for Vikings in Ireland type games. However they include no less than six warhounds in the set. I have noticed a plethora of doggy models coming out recently. Were war dogs really that common? I  have to confess (and I know some of my readers really like them) that I hate dogs. Not just dislike but hate the stinking, filthy, barking, biting, disease carrying, aggressive carnivores. I cannot for the life of me understand how people can bear to have them in their homes. It's just medieval! Would you keep a sheep or a pig in your house? Ugh! No doubt this is all made worse by recent encounters on my walks by these bounding, yapping creatures jumping up at me when I am trying to walk, quietly. "Oh he is just being friendly' cry the owners, who are totally unable to keep them under control. No he isn't. He is a dog. He is seeing if he wants to eat me. Last year more than 3000 people in Britain needed surgery after dog attacks, Another 5000 had to go to hospital but didn't need surgery. Imagine if wargamers were injuring this many people. Wargaming would soon be banned as inciting violence. Before Lockdown, my lovely former girlfriend K suggested she drive over to see me. That would be splendid, I thought. "Oh I'll be bringing our dog. He is very friendly!" Sorry K, you can't come, I replied. When someone says friendly dog I just have visions of them licking your face. Just disgusting! You make friends with people, not dogs. Grr! I shall now see how many friends on Facebook I lose.




Today's music is Rick Wakeman's new album (as it is Rick Wakeman you can no doubt still call it an album) The Red Planet. This is very much in his The Six Wives of Henry VIII and Criminal Record  (my favourite) mode, although perhaps there is a little too much guitar for me.  The first non classical record I bought (or rather John Palmer at school bought it for me as he worked in Our Price in Kingston and got a staff discount) was Wakeman's White Rock which I then spent ages seeking out on CD as it wasn't released in the UK until comparatively recently, so I had to buy a Japanese import at great expense.




Today's wallpaper is William-Adolphe Bougereau's Biblis (1884). During his lifetime (1825-1905) Bougereau was considered one of the world's greatest painters but he fell out of favour at the beginning of the twentieth century, along with most other classicist painters, and was not really rediscovered until the nineteen eighties. Biblis (or Byblis), the legendary daughter of Miletus of Crete, is here depicted in despair, as her twin brother had just fled her amorous advances. Naughty!

Saturday, March 02, 2019

Paint Table Saturday: Byzantines, Dutch, Indian Mutiny, some Kickstarters and back to school.

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It's a very long time since I have written a Paint Table Saturday post but I am indeed, doing some painting, thanks to the ongoing Sculpting Painting and Gaming Facebook Group (although the lack of a comma in the title continues to annoy me). In theory, you are supposed to paint for 30 minutes a day but what with the bad light and four proposals to get done for work since January my output has dropped a bit. I am not managing 30 minutes a day but I have now painted for at least 30 minutes a week for 16 weeks in a row.  Some weeks I am close to, or even over, the required 210 minutes.




So far in 2019 I have completed 29 figures which is not a bad start for me, given that my bad eyesight makes it hard for me to paint for very long. Last month I finished a unit of twenty figures depicting the 64th Foot from the Indian Mutiny (Iron Duke Miniatures).  I will get some more of these soon as I have actually painted all of the ones I own, shockingly. As usual with wargaming flags, for some reason, the standards are rather oversize making it difficult, given I gave them the correct length (scale 9' 10") poles.  I wish flag manufacturers would say that there flags are oversized. 'Oh they look better on the table' say idiots on TMP. Not to me they don't. It's like those people in the past who used 54mm figures on the table to depict their generals. Also, the standard bearer figures' hands are in just the wrong position to easily hold the flagpoles. It took me a very frustrating hour to get them attached, Immediately afterwards I had to go to the doctor and he was concerned about my 'alarmingly high 'blood pressure. I had to explain what had caused it.




My current projects include a unit of Fireforge Byzantine archers and three Byzantine command to go with the nine rank and file I finished in January. I have all the base colours down on these now so hope to push on with them this weekend, In addition, I am working on a couple of individual figures for when L get bored with production line painting. One is a pulp Turk/Egyptian and the other is a Harry Potter figure for my daughter, really just to see if I can do it justice and thereby justify buying the game which my daughter would then play with me, at least.




These six figures are a purchase from this week; six North Star 1672 Dutch. I ordered these at lunchtime on Tuesday and they arrived Thursday morning, which is nearly as good as Amazon.   This purchase was inspired by a new book on the Dutch army of the period which came out this week. I bought some of these Copplestone sculpted figures ten years ago when they first came out and even painted a couple but finding information on the Dutch army of the time proved impossible so I gave up on the period. Hopefullym I will now be able to produce something for use with The Pikeman's Lament.  Compared with the plastics I have been painting lately these big chunky metals are going to be easier to deal with I think.  I just need the book to arrive so I can get properly started.




A big box of a Kickstarter I backed some time ago arrived this week: The John Carter role playing game. I couldn't even remember if I had backed this or cancelled it but here it is. Now what on earth do I do with it? Lots of delicate looking resin figures. Oh dear!  Thirty four figures and a 238 page rule book!




I first read the Edgar Rice Burroughs books in the early seventies when I was enticed by the covers of the New English Library paperback issues which largely featured under dressed ladies, much to the delight of my twelve year old self.  The key painting issue with these is going to be devising an appropriate flesh tone for the Red Martians.

The problem is that the more I paint the more figures I want. When I wasn't painting much I didn't buy many figures. I really, really must sell some I am never going to do!




So absolutely no reason to back another Kickstarter this week, of course. But that is exactly what I did with Paul Hicks' American War of Independence figures for Brigade Games (it's funded with 26 days to go). As usual I am influenced by the sculpts not the wargaming potential but this is a period I have literally toyed with for many years, ever since my Airfix days. I bought a lot of the Perry Foundry figures but although Perry Miniatures comprehensive range is very fine the older Foundry sculpts look rather old fashioned (and small) now,   Rebels and Patriots will be the set of rules for those and I will resist the temptation to do a historical battle (always my downfall) in favour of some skirmishing.  The only issue will be, I suspect the massive customs duty and shipping charges for the 20 packs I have committed to.




I was actually supposed to have a game Sunday week at Eric the Shed's. He is doing one of his big weekend games and this one will be Hastings; a battle I have always wanted to game. Sadly, I discovered yesterday that I have to return to Botswana next Saturday so will miss it. This will be my third visit in thirteen weeks. Never mind it will provide some money to buy more soldiers I will never paint! Also lurking about is another Kickstarter I bought into: West Wind's War & Empire Dark Ages figures. Maybe I can do 15mm Hastings instead!




Other than lots and lots of work (although it would be nice if some of our government clients actually paid their bills - not mentioning any names, effendi) not much else has been going on.  The most bizarre day was being invited back to my school to talk to some pupils about working internationally).  One thing I hated when I was young were all the 'Back to School' adverts in shops at the end of the summer. Not something I wanted to be reminded of when i was on holiday.

I really enjoyed the tour of my old school they gave me, although I hadn't really been back properly for forty years. They now have twice the number of pupils we did and the buildings are three times the size.  The first thing I saw when I walked through the main door (we weren't allowed to do  that when I was there) was a group of willowy teenage girls from the school next door (where my daughter and, indeed, the Old Bat, went).  They have a number of joint lessons with the boys from my school now. This would have actually caused a riot in my day. We weren't allowed within 22 yards of the fence between the two schools in order to prevent any fraternisation at all. There was, however, a small area behind the CCF glider hut where you could engage with conversation with the young ladies without being seen from either school building. So I was told.

The school had copies of the School magazine out from when I was art editor and we looked at the pictures I had done for several issues. Mostly of young ladies. I was notorious for being the first person to submit drawings of women to the school magazine.  The food choice at lunch was amazing (whatever happened to beef/lamb burgettes and the spaghetti bolognese that looked like worms in a cow pat) and I was surprised to learn that fifty percent of the staff were now women. We had one lady German teacher and that was it.

Although a lot of the fabric of the school I attended was still there it has been extended and changed so as to be almost unrecognisable. In particular replacing the parquet floor has changed the whole nature of the place. Walls which were external are now internal with additional atria added putting what was outside inside, like parts of Las Vegas. Occasionally there would be an unchanged part, like the school hall and it would take me right back. I told them that my Uncle went to the school and they found his entry details from 1932. They emailed this to me, I sent it to his sister and she sent it to his children and as a result I have reconnected with my cousins who I haven't seen since 1975.

"What one piece of key advice do you have for the boys?" I was asked. "Don't have anything to do with the girls from the school next door!" I replied.  It wasn't just the Old Bat. There had been other stressful interactions with these girls. As my friend Dibbles told me at the time: "you are better off with the girls from Surbiton High, they are prettier, sluttier and less stressful." I wore my old school tie and they wanted it for their museum display case. I felt like a museum piece myself after I left.




In memory of Andre Previn, one of my favourite conductors, I am listening to his recording of Prokofiev's atmospheric Cinderella. It's not as well known, or as melodic, as Romeo and Juliet and takes a bit of time to get into but the more  I listen to it the more I like it. 


William Etty Female nude in a landscape circa 1825


Today's wallpaper is by the English painter William Etty (1787-1849).. He was the first major painter of the nude in England but scandalised parts of the artistic establishment by continuing to paint from life well after his student days and scandalised parts of the rest of society by including ladies' pubic hair in some of his paintings. Out of fashion for a hundred and fifty years after his death, he has recently come back into favour again, particularly after a large retrospective of his work in his home town of York in 2011

Saturday, February 17, 2018

Paint Table Saturday: Olympics, Dark Ages Kickstarter, Elephants, Wargods of Olympus and Zulus




Having finished my elephants last week, the next parts of the Victrix models to complete are the howdahs.  These will also need quivers for the javelins attaching and shields.  I haven't tried using Little Big Men transfers on domed shields before.  It is not going to be easy, I suspect!




I have started the base coat on the Zulus and put together another two to make a unit of 12 for The Men Who Would be King rules. I assembled these in front of the TV and looking at them, as I paint them, I should have done them in good light at my desk, as some of the arms don't look right.  Hopefully, this will not be too apparent when the shields are on.  Although it is a lovely, bright morning I'm not going to get much done today as it is my father-in-law's 90th birthday party.


Let's hope they don't all say 'Hoo! Hah!" before they charge into unrealistic man to man combat with swords.  The lady needs a few kebabs, I think


I have started some of the Wargods of Olympus figures and have found a Foundry Argonaut I am going to try to finish at the same time.  I am looking forward to the new BBC Troy drama, although political correctness has struck again, with a black Achilles. The costumes, as ever, have seen a costume designer go mad, once more, and ignore any historical evidence..  We know what Bronze Age (no iron spears either!) Mediterranean people wore; there  are plenty of paintings and pictures on pottery.  Stop making it look like an episode of Xena: Warrior Princess.




I have always enjoyed watching the Winter Olympics more than the summer games, although I was disappointed in the choice of (stops typing to look up how to spell it) PyeongChang as host city.  Deep down, part of me thinks that the winter Olympics should be held in Europe (or North America at a pinch) not some weird place in Asia. It looks wrong and feels wrong.  However, having said that, the scenery in Korea (apart from a tragic lack of snow) is, in fact, not too bad. The drone Olympic rings at the opening ceremony were the second most impressive thing I have seen on TV this year after the  Falcon Heavy synchronised booster landing.   Beijing, where the 2022 games will be held is just wrong. I have been to Beijing and it just doesn't have that authentic alpine/nordic feel about it, just as there wasn't in Sochi.  Also, when are we going to have a winter Olympics in somewhere that doesn't need artificial snow?  It's a shame Oslo withdrew their bid, as that would have been perfect.




Being involved in infrastructure finance I occasionally get called in to provide some advice on Olympics: Beijing, and Vancouver spring to mind.  A few years ago, the Norwegians asked me in to help on a Winter Olympics bid for Tromso for 2014.  It never went anywhere but at least I did go up there for a bit, saw the Northern lights,  had a beer from the world's most northerly brewery, ate some whale (not by choice - we went to a wine bar and everything on the menus seemed to be unavailable except whale.  Suspicious that.  I also did not buy a sealskin tie)  and got given a 'games that never was' badge!  It's like my Toronto 2008 Olympic mountain biking venue tee shirt!




The BBC coverage in the first week unfortunately, seemed to be fixated on the tedious freestyle skiing and snowboarding events, which were introduced into the Winter Olympics to give Americans something to win.  They really are dull (apart from the pinball-like cross racing, where they knock each other over all the time), despite all the ghastly American style whooping and hollering, yet the BBC (they have ruined Ski Sunday by including all this millennial rubbish too). is showing hours of it.  This is  all because the Olympic authorities are desperate to try to get Americans to be even vaguely interested in the Winter Olympics, as they need their TV revenue.  I can't help think, too, that sports which require judges marks fly in the face of the citius, altius, fortius motto of the games.  Its not faster, higher, stronger and more twiddly.  Sorry, Torvill and Dean.  I enjoy watching ski-jumping but it should just be about how far you go not how elegant you look in flight. 




The other thing the coverage is stuffed with is curling, as we (or, rather, the Scots) have done quite well at this in the recent past but to say the pace is glacial is an understatement.  It was only worth watching when the luminous Anastasia Bryzgalova was on.  Anastasia competes under the Olympic flag, in this games, for the 'Russian athletes who haven't yet been caught taking drugs' team. Everyone is still calling them the Russian team though.  I see a Japanese has been caught taking a banned substance which is embarrassing for the hosts of the next summer Olympics,  No doubt someone will provide him with a tantƍ sword so that he does the right thing.  If not the Koreans will happily do it for him, I am sure.  I have been to Korea a number of times and they just hate the Japanese.  Maybe they spiked his drink.

I always stayed in the Westin Chosun in Seoul, as it had an Irish pub in the basement where you could get a Guinness for £10 and a pizza for £30.  It was worth it so that you didn't have to eat Korean food,which is quite the most disgusting cuisine I have ever encountered in 70 countries.  I once went to the food hall of the department store next door to the hotel and everything there looked and smelled like it had died at sea and been washed ashore three weeks later.  You couldn't even tell if it was animal, vegetable or fish.  Rancid, is the word for most Korean food, Don't even get me on Bosintang (dog soup), which you can really smell on those Koreans who eat it.


I need to unwrap it this weekend!


I had a big box from Grand Manner this week, as I ordered some African buildings to beat their annoying deadline (since passed) after which they will only sell ready painted items at twice the price of what they sold the bare resin for.  The shop is closed for everything at present.  I do like their stuff but I enjoy painting it, so, price apart, I don't want it painted by someone else in weird acrylic paint.  This is because I am a painter not a gamer! 




After banging on about how I can't paint 18mm any more, I bought into the War and Empire Dark Ages Kickstarter.  Has my new magic optivisor thingy given me ideas above my paint station?  It's all about the Battle of Hastings,of course. Although they have ludicrously big weapons they are lovely figures.  We shall see (literally) whether I can actually paint them!

Finally, after major Shed refurbishments, I am hoping I can get over to Eric the Shed's for an actual wargame next month.  I haven't played a game since our epic Zulu war games last January.  I always feel slightly embarrassed turning up with real wargamers as I can never remember the rules but that is largely because my limited brain capacity is full of other rubbish, like the workings of Export Credit Agencies at present and the El Salvador national infrastructure plan..  There is a trip to Nigeria lurking about at work at the moment but it has been postponed twice so I hope it goes away!


Les Filles d'Atlas


Today's wallpaper is this splendid painting by the French painter Paul Alexandre Alfred Le Roy (1860-1942).  Brought up in Russia, Le Roy moved to Paris when he was seventeen.  Like many orientalist painters of the time, he travelled to North Africa and Turkey and collected items for use in his paintings.  The title of the painting has two meanings, in that these huntresses are depicted in the Atlas mountains, which Le Roy painted on many occasions but they are also supposed to represent some of the Pleiades, the seven daughters of the titan Atlas, who were eventually transformed into stars by Zeus, to keep their father company as he supported the heavens on his shoulders.  He has depicted them in locally inspired North African tribal cloth rather than the more usual classical approach.




Today's music also has a North African aspect to it, in that it is Michael Nyman's The Upside Down Violin which features musicians from the Moroccan group Orquesta Andaluzi de Tetouan.  This appeared on his CD Michael Nyman Live in 1992.  I have over 12 hours worth of Nyman on my iTunes and my favourites include The Draughtsman's Contract, Water Dances and, especially, the propulsive MGV.

Tuesday, March 01, 2016

What's going on...


It's worse than that, he's dead, Jim


Well, it's been over a month since I last posted and even longer since I painted, due to a concatenation of events, as Thomas Hardy would have observed.  

Firstly, my hard drive in the computer packed up.  Fortunately, I had manually backed up nearly everything (the automatic back up had failed) but I then had to repopulate the new drive which took ages.  Of course you can't back up programmes (or if you can I didn't know how) so I had to reinstall things like Adobe, iTunes etc while trying to remember all the various passwords to access my account. Many tedious hours followed.  The other thing is that I had Windows Vista before but the computer people have installed Windows 7 (which I use at work) and I have, shockingly, realised it is actually better than Vista.  In the interim I attempted o use my laptop which has Windows 8 on it and I soon realised that it is actually unusable.  The computer firm I used to put in a new drive said they could take it back to Windows 7 which would be great.

My biggest issue was that Microsoft no longer provides Picture Manager, which I use all the time so thanks to my friend Sophie for helping me locate this.  Worst of all is the process of transferring my music back into iTunes.  Apple don't like you moving stuff from device to device so they stop, for example, you being able to move all your tunes (all 18,000 tracks) and playlists from your iPod back to the PC.  To get the tracks back you have to manually click on each individual music file in the folder so it reappears in iTunes on the PC as a recently added track then you have to drag it to the playlist.  Beyond tedious!  I am nowhere near finishing this process yet, although it has had the benefit of making me listen to music I haven't listened too much before (if at all) as that is sometimes the only stuff in a particular playlist at any time. So, no Sibelius symphonies back yet but yesterday I listened to Swanwhite for the first time.

Secondly, it is year end at work.  Having not had a year end there before I had no idea of the mind numbing amounts of paperwork (electronic, on a terrible database) that needed to be done.  In addition I had a presentation to give and my first webinar to present.  The latter was really odd because although I am used to giving presentations (I have given over 300) it is really difficult when you can't see the audience. I use slides as an aide memoire, not a text and focus on each slide more or less depending on the reaction of the audience.  No immediate feedback made it very odd.  It seemed to go down well and has generated a lot of follow up, which I am having to squeeze into my already over-crowded schedule.


I'm sure it's very nice in the summer


Thirdly, I seem to spend most of my spare time driving Guy around.  The other weekend we had to drive down to Plymouth (204 miles) for a university open day. It was so far that we had to stay overnight but at least we got time to look around the city on what was a really wet and windy day.  I had to drag around a load of tedious engineering labs when what I really wanted to do was go to the adjacent Plymouth Museum and Art Galley which had an exhibition on war games (in their broadest sense).  However, subsequently reading the blurb about this it sounded like a load of pinko, politically correct nonsense (like the Imperial War museum these days) so it would probably have just put my blood pressure up.




We had trouble booking anywhere to stay, given Guy had left it until the last minute to tell us he wanted to go but I was unexpectedly impressed with the Jury's Inn in Plymouth, which was five minutes walk from the university, the town centre and the harbour.  It also did an excellent breakfast ,which is a bonus.  Guy has now been offered an unconditional place to do a Maritime Business and law degree there and as Plymouth has an excellent reputation for maritime subjects I wouldn't mind him going there at all.  It does mean that he and his sister would be about 500 miles apart but he seems to think that this is a good thing.  We looked at the student accommodation which was the best I had seen at the many universities we have been around over the last few years.  Some of the rooms even have a sea view.  Oddly, they have two sorts of room which are split between flats of six people and flats of ten based on how outgoing you are; an unusual criteria they discover via a student questionnaire.  Interestingly, the girl's room we saw in the "outgoing" flat had a double bed, presumably based on them being more friendly than their introverted fellows (mathematicians, probably) who had single beds.

On the painting front I have been stymied by the truly terrible, dark weather and, due to some work being done in my study, the fact that I haven't been able to access my paints.  So although I have a number of figures close to completion the paint I need to do so is buried under a terrible pile of stuff.  This has now (sort of) been dealt with and as the Old Bat is working on Saturday I hope for bright light and some painting. 




On the wargaming front I have not been able to get over to the Shed at all so have missed some games of Frostgrave, which I wanted to try.  That said, I think Eric is running it as a tournament so I have missed out on the beginning of the campaign and, anyway, I don't like the thought of tournament play or, indeed anything really competitive.  Most (all) of the other Shedizens are proper wargamers and I would feel uncomfortable playing one to one against them, given my inability to understand rules.  My attempt to paint a female force for Frostgrave has stalled, of course, but I might resume it in due course.


Looking forward to having a go at these!


As regards figures, I withdrew from the latest West Wind ancients Kickstarter as 18mm is really too small for me to paint with my deteriorating eyesight (I have four procedures at the eye hospital over the nest month).  However, I did sign up for Unfeasibly Miniatures Empire in Peril Kickstarter which has three days to go.  Principally I did this for the late nineteenth century Germans which I can use in IHMN but although I am usually resistant to imaginary wars I am very taken with the idea of two armies with pointy helmets.  The period the figures represent has drifted a little and now seems to be early twentieth century rather than late nineteenth century but I have ordered a force of Germans and may add some British at the last minute.




More good news on the pointy helmet front, in that North Star have announced some further figures for the 1864 range.  I had given up on this range due to them just producing Danish Infantry but now they have promised to add some Danish,artillery, cavalry and Prussian hussars.  I still haven't solved the problem of representing leafless winter trees, though.  Anyway, now I can get at my dark blue paint once more I might do a little on them this weekend.  Although I did lose all my reference pictures in the great crash so will have to search for them again.


My 18mm Copplestone Barbarians need someone to fight!


Today North Star have announced that they are taking over the distribution of Copplestone Castings which is very good news.  Mr Copplestone has said that it will free him up "to sculpt new packs for existing ranges and maybe work on a couple of new projects".  I actually thought he had retired and lately all he has produced are a few figures for Frostgrave but he is my favourite sculptor so dare we hope for the long promised 18mm sub-Roman fantasy figures?


Goodbye to all that


Not such good news from Grand Manner who are withdrawing a lot of sculpts in some of the ranges I collect: particularly Dark Ages and also Trojan wars.  I wanted more of the Trojan buildings for Jason and the Argonauts but I really don't have space for any more resin at present. The houses are simple enough that maybe I could have a go at making some but the walls of Troy are a loss.  Sadly, the discount of 15% is not enough to encourage me to pick anything up. He has a lot of new stuff but it is mostly Russian and not of interest to me.

So, let's hope it is a nice bright day on Saturday and I can actually do some painting and don't have to spend all day taking Guy to and from rowing!

Tuesday, January 06, 2015

2015 Plans: Skirmish vs Big battles? Time for a sort out!

The work bench really, really needs a sort out!


Well, the process of writing my Wargaming review has actually got me picking up a paintbrush for the first time since mid-October.  Not for very long but it broke a psychological barrier.  I also did a bit of basing and did some work on the helmets of my Afghan Wars British to make them look more suitable for 1879.  The key problem now is the really bad light.  I have two daylight lamps on my desk but can't really paint shading without good daylight.

One of the things I discovered last year is that, thanks mainly to the work I did on IHMN figures, I really enjoy painting individual character figures and don't enjoy painting units.  Now given this, and given the fact that I am totally unable to focus on even as little as a few dozen periods, is it not now time to just admit that I am never going to be able to finish enough figures to field an army for a big battle?  People with the focus of Giles and Big Red Bat are much to be admired as they don't stray too far from their core interests.  I am sitting here looking at a based and undercoated Great War Miniatures British Crimean War infantry man. Am I really ever going to paint enough units for the Battle of the Alma?  No, is the brutal answer.  I have played in a few large games at Guildford (Republican and Early Imperial Roman, ECW and Wars of the Roses) where I could contribute my hundred figures or so to other people's larger collections.  In reality, I think, this is the only way I will be able to do big battles using my own figures.  So time to forget building armies that require several hundred figures, I think.


Wars of the Roses at Guildford Wargames Club.  Not much scenery required


However, there is a problem with skirmish games for me.  If you have two big armies facing each other in your typical ancients or medieaval game you really don't need much in the way of scenery.  A green cloth, a few trees, some lichen for scrub and maybe a hill.  All the effort and cost goes into the armies.  However, with most skirmish games lots of scenery is usually necessary; almost always to provide cover.  This is because, in many of the sets of rules I have played a hit (or two) means you lose the character and if you are looking at forces of six to 12 figures this can make the game very short indeed (as I have witnessed on one or two occasions).  With big unit battles the units are more resilient and don't get destroyed on first contact.  They can slug it out and maybe even regroup if they are forced back.  So being in the open and getting hit by a flight of arrows is unlikely to lead to your unit being taken off the table instantly.  You don't need to keep them skulking under cover so don't need cover for them to hide behind.  Skirmish games tend to require a lot of scenery and getting suitable scenery done is a problem for me given that I have no craft skills whatsoever, unlike Scott and Eric the Shed who turn out miniature wonders.  So its a trade off between lots of figures and less scenery and less figures and more scenery.  Time and cost wise, I suspect they balance out.


The mini Bosworth game I produced for my son's school project. 


I was talking to my new friend A about the problems of not painting enough figures for an army but she pointed out that, basically, if a unit fights as one whole then why do you need 24 figures when six or one serve the same purpose (I did not then start to describe DBA to her).  When I produced a model of Bosworth for a presentation my son did at school we represented all the major units using just 38 figures.  It is of course, certainly for me, all about the look of the thing (which is why I think DBS armies look ridiculous). Big units look better (as the writers of Warlord Games various rules acknowledge with what was, at the time, an unfashionable focus on large armies).  They are a figure manufacturer, of course, so like their Games Workshop former employers want to shift quantity but it has, to a certain extent, seen a return to Charles Grant sized (well, nearly) units.  


My 48 figure Blue regiment of foot


The first proper set of wargames rules I owned where Charles Grant's Napoleonic ones based on his articles in Military Modelling in the seventies.  These posited 48 man units.   I do actually have two units this size; the only two ECW units I have painted.  The size was dictated by having what looked like a reasonable block of pikemen.  Sixteen figures was as small as I thought looked good and then that dictated the sizes of the sleeves of shot.  I tried a nine man pike unit and it looked odd.  The next size up to keep a square pike block would have been 25 figures leading to 75 man units.  Too much!  For my armies I now work to a 24 man standard size but this would mean that, at most, I could only paint four units a year and that would be if I could focus on one period!


Five colour shading really isn't necessary on 18mm figures, perhaps


The big battle people would say that the obvious solution would be to move down to 15mm or less.  My problem with this is that figures of 12mm or less have ludicrous looking anatomy.  I did too much anatomy while studying art to get over this.  There are a few, a very few, manufacturers who make reasonable looking 15mm figures, which is why I have bought into the War and Empire Kickstarter.  15mm really is sensible for ancients.  The problem is that with the few 15mm (really 18mm, of course, these days) figures I have painted I paint them as if they were 28mm so I don't paint them appreciably faster.  When I was choosing which armies to select for my War and Empire forces I eliminated all those where I had some 28 figures painted, which meant I eliminated nearly everything. This is why I have ended up with Spartacus revolt.  I wanted to go for the Punic Wars but I have quite a lot of 28mm figures painted for this so just couldn't, even though I know that I will never finish an army for either side in this scale.


Muskets & Tomahawks at the Shed


This last year, however, I think I have solved the problem with the appearance of rules like Lion Rampant and the fact that I played my first game of Muskets & Tomahawks.  My force for the latter was three units of six. Admittedly, there were two other players on my side with the same number of figures but that is nine units in total for not many more figures than in my ECW units.  These are both what I would call semi-skirmish games, using around 6o figures a side maximum.  This is an achievable target for me. 


My only painted figures for El Cid


So what does this mean going forward?  I will keep working on IHMN companies and I will jump forward in time with the rules, slightly, to cover The Lost World (I just picked up the lady explorer I had been looking for to finish my characters for this) and the twenties in Egypt and, possibly, the twenties/thirties in Asia.  I will get going on more pirates and Jason and the Argonauts figures too.  I am seeing the Afghan War as a semi-skirmish project so will carry on with that.  I want to do a Lion Rampant force and the logical one would be the Wars of the Roses as I have already got most of the figures but I am also tempted to go back in time and do Crusades or El Cid for this.  There is more to be done on Darkest Africa which is another semi-skirmish project but one where I have painted a lot of figures.  Add to this some Hobbit,  Mars Attacks, WW1 and Texan War of Independence figures and I think I have more than enough to be going on with.  See, even my focus is already losing focus!  Lots of stuff to put on eBay, even so, I think!