Showing posts with label fantasy. Show all posts
Showing posts with label fantasy. Show all posts

Sunday, September 13, 2020

Paint Table Sunday: Back from a break, reading a wargames magazine over lunch, new temptations and devil dogs




I haven't been painting for  around two months now, largely because the Old Bat has taken a turn for the worse with her Long Covid and Charlotte has been unwell too, so I have spent a lot of time running around after them, going to pick up prescriptions, take the Bat for blood tests, doing domestic stuff, gardening (ugh) and cooking with some work fitted around all that. Latterly it has been the Tour de France on TV as well. Really, however, I have just not felt like it. We had that very hot weather which made painting impossible and then it got very grey and dark and I really need good light to paint as I cannot manage it under artificial light at all. Mainly, however, I was in that situation where the figures I had started on my workbench (to use an inappropriately artisanal term which makes it sounds like I could actually make something) were really only just started. I find nothing more demotivating than having a load of figures which are a long, long way from being finished.




Today, however, I actually sat down and did an hour's painting. It was all base coat stuff and I was struggling with my eyesight again but I will try to do a bit every day; as I have done in the past. I have Lucid Eye Atlanteans, Crooked Dice V aliens and some of the new Wargames Atlantic Afghans on the go. Now, since I got the latter, Perry have announced their own plastic Afghans as well but I will just get those too. With Afghans you need as many different figures as possible. More interestingly, Wargames Atlantic have announced plastic mounted Afghans which I will need for my The Men Who Would be Kings force (as I have actually painted my British starter force). I suspect the Afghans will be quicker to paint than the others.




In the past, my far from eagerly awaited pieces, Reading Wargames Magazines Over Lunch, have described a succession of meals in London, usually in what would otherwise be non productive gaps in my work schedule between meetings. No such luxury these days, as I haven't been to London since 28th February, so it was a rather unexciting tuna salad (the only fish I eat, along with smoked salmon) in the garden as I am on yet another gentle fitness programme. 


A long time ago as photographed by Sophie...


This one is working quite well, mainly because I do not have the Old Bat bullying me into running which I can no longer do, due to bad knee and hip joints (caused by doing too much road running in my twenties and thirties). Instead, I spotted something on Facebook called the Conqueror Challenge where someone (in New Zealand, where there is little to do) organises set walk routes which you do virtually. So you choose your target walk (I chose the ninety mile Hadrian's Wall) and you go out and walk (or run or cycle) whenever you want and put the total down (I've worked out how to do this on my phone or, rather Charlotte did).  You pay £28 per challenge and then have a homepage you can plot your progress on. The Old Bat thinks that paying someone else so you can walk is insanity but it is working and I have been doing it for three months now. I completed Hadrian's Wall and am now doing the 280 mile Grand Canyon (as I have visited there). You can even see where you have got to, virtually, on Streetview. The Streetview views of the Canyon are not very interesting. It's a rocky canyon with a river at the bottom. That's it. Even Up North looks more interesting than that.




They even send you a very blingy medal when you finish so you do get something for your money. When I started, in June, I struggled to walk a mile and a half and was puffed and had chest pains but a month ago I walked six and a half miles home from Epsom hospital after my latest eye injection. You aren't allowed to drive after the injection and the Old Bat is still too ill to drive me, so the fact I could walk that far (in thirty four degree heat) shows how far I have come. No more breathlessness and no chest pains! I have to admit that accompanying wine and food for the Tour may have had a somewhat retrograde effect in the last two weeks, though, so I did another six and a half mile walk today.

Wargames Illustrated have been giving away a lot of Warlord Games figures. I can't bear to throw them away but I don't want most (any?) of them. There must be lots of wargamers with piles of these things. It's like accumulating Salute figures or free plastic rubbish from cereal packets in the sixties. The idea, of course, is that you look at your freebie and then go out and buy more. The opposite has been true of me, I am afraid. I looked at a set of Warlord Napoleonic cavalry and was so unimpressed by the poor sculpting and lack of crispness in moulding I vowed never to buy any Warlord plastics again. Victrix they are not. Anyway, last month the give away was a set of rules for Warlord's new French bread pizza naval wargame, Victory at Sea, which I have no interest in, having seen the ridiculous bases the models are on. Maybe it's not selling very well. Despite being interested in warships and having built many an Airfix ship model in the past I have no interest in naval wargaming. I just see an article in a wargames magazine on naval wargaming and my brain goes into power-saving mode. Yawn. So I didn't bother reading the rules showcase on the rules or another article about eighteenth century naval wargaming. I don't scan over the articles in Miniature Wargaming because the type is now so small I struggle to read it even with my reading glasses. I have to really want to read it to strain my eyes that much. Surely most wargamers are old like me and have eyesight that has deteriorated? Perhaps not. My father in law is 92 and doesn't use glasses for anything.

There was quite an interesting article on how wargames manufacturers are coping with the Chinese Virus but I was surprised, given Baccus employ seven staff, to discover, according to the article, that Warlord employ 103 people. One thing that occurred to me, regarding all the lockdown stuff, was how many rules writers were producing new solo versions of their games. I think I wouldn't buy a set now if it didn't have some solo rules as, realistically, I am not going to be able to organise my own games for multiple players. None of my close friends are interested in wargaming (possibly because most of them are women). I am still too nervous about the Chinese Virus, seeing what it has done to the Old Bat, to venture over to the Shed, despite Eric's kind invitations. Will things return to normal and solo players be forgotten again or will the Chinese keep churning out deadly viruses every year in their bat infested labs until they have achieved the crushing economic dominance they are seeking in their, no doubt, forty year plan?


Starlux 54mm (cicra 1970)


I always look at the figure reviews in magazines and in the August issue I discovered that the new Plastic Soldier Company 15mm ancients figures are made of that new plastic resin which gives them bendy spears, No thanks. I had enough of that with my Airfix figures. Presumably, if they used hard plastic the spears would all break off, which demonstrates, once more, how inferior 15 mm is as a scale for model soldiers because the material you make them from seriously distorts the look of the figures (metal ones have fat spear syndrome, of course). Also, in the review section were the new Victrix French Imperial Guard lancers, How lovely are these? I would love a box of them! My father bought me a Starlux, painted 54 mm figure of a Dutch lancer (sorry, it's a better uniform than the Polish ones) when we went to Paris when I was small (I still have it).




 But I saw an early painted example (above) of the Vixtrix models which just made me realise that I can't paint Napoleonics any more. Does unattainable quality painting of this level actually put people off from buying? It did me.  I couldn't even begin to approach this level of painting. Just trying would stress me out. Thinking about the stress I have experienced here in Chez Sick over the last months I realise that one of the reasons I haven't been painting is that I often find painting figures stressful, not relaxing, when things don't go the way I want them too.

The theme of much of the magazine was command and control which writers all seem to think isn't considered very much in wargames magazines but actually seems to come up quite regularly. This is of great import to the gamer (rather than painter, like me) end of the hobby who love to bang on about it all the time. I remember many tedious discussions about it when I went to Guildford Wargames Club (an old school sort of club) which I no longer go to, partly because of the stress of driving down the A3 on a Monday night in an eighty mile an hour traffic jam. I didn't read any of these command and control articles as they are probably designed for all those people who used to write orders on paper or have courier models to deliver orders. They tend to not care if their wargames table are covered in counters (which I hate). 




There was one article I actually bought the magazine for. I recently picked up Dragon Rampant, as it was reduced, and this article by Daniel Mersey, the rules' author, included all the statistics for the Copplestone Barbarica range of 18mm fantasy figures. Well, the name Barbarica is fairly recent, they weren't called that when they first came out (18mm Fantasy was the catchy name Mr Copplestone devised) and I bought a lot of them. Having been rude about 15/18mm figures in my last (and this) post I am quite excited now about organising some armies for these rules, as they require small forces. I painted some of these about nine years ago (above) and have some others underway (if I can still manage to paint them!). They are very small.




Now, of course, I shouldn't buy any more figures but I did buy into the Kickstarter for Hot and Dangerous figures which are, essentially, 28mm models of attractive ladies in historical uniforms (what can be their appeal?). They are reasonably historical and not too pin-up like, compared with some I have seen, perhaps because, they have a lady designer. They are a Polish firm, I believe. Certainly some will go on eBay but I just hope I can paint them to the standard they deserve.

A major temptation are the Perry brothers announcement of plastic Franco-Prussian War figures. Will this mean metal ones as well? I bought some Franco Prussian figures from Eagles of Empire some time ago but they were, perhaps, a little too idiosyncratic in style for me.




However, this week Eagle of Empires announced a new range of First Schleswig War figures. Now some years ago Matt Golding, of Waterloo to Mons, started to produce his own range of (25mm) figures for this but the range went into limbo, so I might be very interested in these, depending on what the figures look like. Early examples look good.

Good news is that North Star have put their 1864 range back up on their website so I will order some more Danes to finish my first unit.

Two rants this week. One wargames related and one not.

Now, last time I derided the people who hijack new products launches with demands for information on forthcoming pet projects or different scales. This time I have recently seen examples of ridiculously inappropriate ranges in plastic. Some time ago Victrix launched a page on the internet where people could make requests as to what they would like the firm to do next. As ever, some of the answers amazed me. Now I see Victrix as what I would call a rank and file supplier. You buy lots of boxes of core troops in plastic from them and then fill out the more unusual items with metals. Making plastic figures is expensive so you need to be on to a sure seller to make money hence, no doubt, their focus on Napoleonics and Ancients/Dark Ages. Some of the suggestions are very sensible such as Biblical or Bronze Age figures where, rather like the Dark Ages, the number of different troop types needed is quite limited. It didn't take long for the first request for Dynastic Chinese to come in, then Renaissance Poles, fourteenth century Koreans, War of 1812, Bannockburn period, Spanish Civil War etc. Then there was a suggestion for Ancient civilians. And how much diversity will plastic enable you to do on these? Think, man, think. Then there were the people who said 'I know such and such a company already make them in plastic but yours would be better' (ACW and WW2). Then, of course, you had people suggesting plastic forts and dice. One woman suggested female figures including such future best sellers as RAF female supply pilots. Really? A plastic sprue of these? Calm down dear.  Wargames Atlantic, who are even more a rank and file supplier, have also just launched a similar poll to equally inappropriate answers.


This is how I see all dogs.


Speaking of which, one of Wargames Atlantic's recent sets was of Dark Age Irish, which would be quite useful for Vikings in Ireland type games. However they include no less than six warhounds in the set. I have noticed a plethora of doggy models coming out recently. Were war dogs really that common? I  have to confess (and I know some of my readers really like them) that I hate dogs. Not just dislike but hate the stinking, filthy, barking, biting, disease carrying, aggressive carnivores. I cannot for the life of me understand how people can bear to have them in their homes. It's just medieval! Would you keep a sheep or a pig in your house? Ugh! No doubt this is all made worse by recent encounters on my walks by these bounding, yapping creatures jumping up at me when I am trying to walk, quietly. "Oh he is just being friendly' cry the owners, who are totally unable to keep them under control. No he isn't. He is a dog. He is seeing if he wants to eat me. Last year more than 3000 people in Britain needed surgery after dog attacks, Another 5000 had to go to hospital but didn't need surgery. Imagine if wargamers were injuring this many people. Wargaming would soon be banned as inciting violence. Before Lockdown, my lovely former girlfriend K suggested she drive over to see me. That would be splendid, I thought. "Oh I'll be bringing our dog. He is very friendly!" Sorry K, you can't come, I replied. When someone says friendly dog I just have visions of them licking your face. Just disgusting! You make friends with people, not dogs. Grr! I shall now see how many friends on Facebook I lose.




Today's music is Rick Wakeman's new album (as it is Rick Wakeman you can no doubt still call it an album) The Red Planet. This is very much in his The Six Wives of Henry VIII and Criminal Record  (my favourite) mode, although perhaps there is a little too much guitar for me.  The first non classical record I bought (or rather John Palmer at school bought it for me as he worked in Our Price in Kingston and got a staff discount) was Wakeman's White Rock which I then spent ages seeking out on CD as it wasn't released in the UK until comparatively recently, so I had to buy a Japanese import at great expense.




Today's wallpaper is William-Adolphe Bougereau's Biblis (1884). During his lifetime (1825-1905) Bougereau was considered one of the world's greatest painters but he fell out of favour at the beginning of the twentieth century, along with most other classicist painters, and was not really rediscovered until the nineteen eighties. Biblis (or Byblis), the legendary daughter of Miletus of Crete, is here depicted in despair, as her twin brother had just fled her amorous advances. Naughty!

Saturday, April 15, 2017

Paint Table Easter Saturday...and resisting temptation




I was very pleased to finish five more figures for my 2nd Afghan War The Men who would be Kings force this week.  Sadly, I mistakenly thought that these would finish a unit (12 men for these rules) but I had only painted five others for this unit so am two short.  Although I have some other painted figures I could have used I like my units to be in similar poses so bunged off an order to North Star to fill the gaps in this and the other unit of British..  




This order will give me some leftovers but I have already decided to build a second force representing troops later in the conflict, where khaki trousers had replaced the blue ones and poshteens were commonly worn.  I can mix my leftovers with these less regulation looking figures for my second army.  Despite the inordinate amount of time it's taking me to paint them the TMWWBK force is only 36 figures plus either a cavalry unit or an artillery piece.  




I am going to have two units of the Royal Surrey Regiment and one of Sikhs plus a Sikh mountain gun, except the gun still hasn't arrived from North Star due to production problems. I might have a look at Salute and see if I can find one.  I am going to paint the artillery in their pre-khaki dark blue with red turbans as I found a period photograph of them on campaign in the early part of the war where they are obviously not yet in khaki.  I want to do a mule train for a gun and am wondering whether I can convert the Perry Miniatures Carlist wars one, given a spare gun.  




Anyway. I had a good day yesterday on the Sikhs and hope to get them finished by the end of the long weekend.  I am finding these a lot easier to paint than the Perry ACW figures but I will get back to these after my Afghan diversion.  With good light and a new Windsor & Newton Series 7 000 brush I got all the horrible straps done today.  I still have shading on the knapsacks, red lines on the trousers, tidying up on loose blobs, bases, varnishing and metal work to do.  Someone was suggesting I try the dreaded dip but, apart from the fact that it is cheating, I find dipped troops tend to have a rather murky look about them. Today my sister is coming over for tea, though, so  I need to have a good bash this morning as Sunday we are going down to the Old Bat's sister in Hampshire.  Guy is hoping my brother in law will have taken delivery of his new Ford Mustang!  


Tries not to think about Louise Redknapp and honey


I don't get hay fever, really, but I have been suffering with some sneezing lately, which is always annoying when trying to paint belts with triple 0 brushes.  Both Guy and Charlotte suffer quite badly but not as badly as my sister who does actually get a fever with it.  In the past, eating local honey has helped Charlotte (it works like a flu jab) but I have always had to order it at great expense from a specialist shop in Clapham.  However, Louise Redknapp was telling the Old Bat that you can get the right sort of honey in the Medicine Garden in Cobham, as she gets really bad hay fever too. Worth trying.




The Old Bat went to the Garden Centre yesterday to look at pumps for our new girly water feature and I decided to tag along at the last minute as I remembered they had a big aquarium section where people from around here can buy Koi carp at £200 a time.  I got an excellent selection of plastic plants for my planned jungle bases.  Eric the Shed very kindly offered to cut me some bases for them but I don't want to put him to any trouble as he has already done so much for my wargaming these past few years.  I have found a big pile of old CDs and am going to have a go at using these as I remember seeing something about someone using these in the past in one of the magazines.  I also remember that you have to score them to make things stick to the better.  I think I am going to have to get a hot glue gun too, given suggestions on my last post.  Fortunately, the Old Bat has used one, although she happily told me that "you will get third degree burns from it!"  I remember studying the case Smith V Leech Brain (1962) where someone got molten metal on them, then later developed cancer and died.  I am sure that hot glue will give the same result.  It's probably deliberate on the Old Bat's part.  If she gets me a hot glue gun for Easter I will know...




More on scenics in that I am assembling the Renedra mud brick house which I bought at last year's Salute (I think).  This is the fourth one of these kits I have assembled and although the concept is good they really are horrible to put together,  Maybe I was just spoiled by building a lot of Hasegawa aircraft kits years ago but the fit of the parts is awful and I am having to use a lot of filler on it. I might have a look at the 4Ground wooden ones at Salute.  Just as I worry about the differences in jungle in South America and the Congo so I worry that, actually, mud brick houses in Afghanistan, Egypt and the Sudan do look different but I doubt whether anyone else does.




I am looking forward to Salute next week and I am hoping there will be another Bloggers meet up, although I haven't seen anything yet about one. I don't think that I am after any figures but will be looking for scenic items, although nothing too big as I have to carry it home on the train.  Eric the Shed is planning to go on to the newly reopened National Army Museum afterwards but I usually get to Salute a bit later.  to avoid the queue, so won't be able to fit it in.  I used to live in Chelsea and just along from the NAM was a really good restaurant I used to go to called La Tante Claire, which was one of London's few three Michelin star restaurants (Pierre Koffmann was the chef) at the time.  It closed some years ago, though and is now Gordon Ramsay's main restaurant in London.  Last time I went Helen Worth, from Coronation Street was there (she has a house nearby, I think). 




Even though I am painting much more than last year I still have a huge lead and plastic pile but that doesn't stoe me looking at new tempting things.  The ability to resist temptation is not one of my defining characteristics ;whether it comes in a blister pack, a bottle, or a cocktail dress.  I am intrigued by North Star's new plastic fantasy range, which will be coming out later in the year and will consist of dwarves, elves and goblins.  The pictures of the dwarves look good but I think I can resist these as I have so many Lord of the Rings figures to paint.  




I do like dwarves though and the only Warhammer figures I ever painted were some dwarves (above).  I bought a big army box but sold them all in the end as I didn't like any of the opponent figures in Warhammer.  Wargamed Foundry (I think) used to have a nice series of Norse Dwarves some years ago but as I have actually painted some Lord of the Rings ones I will not be sidetracked by these figures!  Definitely.




The next figures I must resist are Black Scorpion's new Wild West figures for their new Tombstone rules which are the subject of a Kickstarter (which was funded in four minutes!).  I have always had a hankering to do something set in the Wild West and I like Black Scorpion's very unhistoric pirates and have even painted some (above).




These western figures are also bordering on fantasy (especially the women) but their resin figures are really nice to paint so I am quite tempted by this one, especially as I can see some of them turning up in Victorian London for In her Majesty's Name.  Speaking of which, I definitely want to get the new IHMN Gothic supplement.




Finally, one Kickstarter I am also having trouble resisting is The Drowned Earth one (it begins tomorrow), despite it being a very different game and setting from that which I am usually interested in.  This has been well marketed with some stunning supporting artwork and some very interesting figures.  I am not sure what it is that I like about this; maybe it takes me back to the days when I read a lot of science fiction but I like the small factions and the variety in the figures.  Whether I will be able to do them justice with paint is another question.




Today's wallpaper is A Young girl Sleeping by Jean-Honoré Fragonard (1732-1806) or Une jeune Italienne à demi-nue, couchée volupteusement sur un lit de repos, où elle s'endormie as it was described when sold in 1776 for a thousand livres (the equivalent of about £10,000 based on the value of gold then).  This was an early nude by Fragonard, painted when he was in his most Boucheresque phase during his first trip to Italy from 1756 to 1761, so he would have been in his twenties at the time.  In fact, it was the only nude he painted in this period but is a forerunner of the tastefully erotic work he would do later in life.




The picture disappeared from the record at the end of the eighteenth century and reappeared in 2014 when it was put up for auction.  Due to a piece of luck it could be positively identified, as someone, at the original 1766 auction had made a quick sketch of the painting in their catalogue and this had been preserved in the Bibliothèque National.  It was sold in 2014 for the comparatively bargain price pf $395.000.




Today's music comes from the period the painting was created.  The eight symphonies of William Boyce (1711-1779) like Fragonard's painting were also not known for many years and weren't performed again after his lifetime until an edition of them was published in 1928.  They are very melodic and mood lifting.  It is impossible to feel fed up when listening to Boyce, however much filler you are having to shovel into a Renedra biilding!

Tuesday, March 01, 2016

What's going on...


It's worse than that, he's dead, Jim


Well, it's been over a month since I last posted and even longer since I painted, due to a concatenation of events, as Thomas Hardy would have observed.  

Firstly, my hard drive in the computer packed up.  Fortunately, I had manually backed up nearly everything (the automatic back up had failed) but I then had to repopulate the new drive which took ages.  Of course you can't back up programmes (or if you can I didn't know how) so I had to reinstall things like Adobe, iTunes etc while trying to remember all the various passwords to access my account. Many tedious hours followed.  The other thing is that I had Windows Vista before but the computer people have installed Windows 7 (which I use at work) and I have, shockingly, realised it is actually better than Vista.  In the interim I attempted o use my laptop which has Windows 8 on it and I soon realised that it is actually unusable.  The computer firm I used to put in a new drive said they could take it back to Windows 7 which would be great.

My biggest issue was that Microsoft no longer provides Picture Manager, which I use all the time so thanks to my friend Sophie for helping me locate this.  Worst of all is the process of transferring my music back into iTunes.  Apple don't like you moving stuff from device to device so they stop, for example, you being able to move all your tunes (all 18,000 tracks) and playlists from your iPod back to the PC.  To get the tracks back you have to manually click on each individual music file in the folder so it reappears in iTunes on the PC as a recently added track then you have to drag it to the playlist.  Beyond tedious!  I am nowhere near finishing this process yet, although it has had the benefit of making me listen to music I haven't listened too much before (if at all) as that is sometimes the only stuff in a particular playlist at any time. So, no Sibelius symphonies back yet but yesterday I listened to Swanwhite for the first time.

Secondly, it is year end at work.  Having not had a year end there before I had no idea of the mind numbing amounts of paperwork (electronic, on a terrible database) that needed to be done.  In addition I had a presentation to give and my first webinar to present.  The latter was really odd because although I am used to giving presentations (I have given over 300) it is really difficult when you can't see the audience. I use slides as an aide memoire, not a text and focus on each slide more or less depending on the reaction of the audience.  No immediate feedback made it very odd.  It seemed to go down well and has generated a lot of follow up, which I am having to squeeze into my already over-crowded schedule.


I'm sure it's very nice in the summer


Thirdly, I seem to spend most of my spare time driving Guy around.  The other weekend we had to drive down to Plymouth (204 miles) for a university open day. It was so far that we had to stay overnight but at least we got time to look around the city on what was a really wet and windy day.  I had to drag around a load of tedious engineering labs when what I really wanted to do was go to the adjacent Plymouth Museum and Art Galley which had an exhibition on war games (in their broadest sense).  However, subsequently reading the blurb about this it sounded like a load of pinko, politically correct nonsense (like the Imperial War museum these days) so it would probably have just put my blood pressure up.




We had trouble booking anywhere to stay, given Guy had left it until the last minute to tell us he wanted to go but I was unexpectedly impressed with the Jury's Inn in Plymouth, which was five minutes walk from the university, the town centre and the harbour.  It also did an excellent breakfast ,which is a bonus.  Guy has now been offered an unconditional place to do a Maritime Business and law degree there and as Plymouth has an excellent reputation for maritime subjects I wouldn't mind him going there at all.  It does mean that he and his sister would be about 500 miles apart but he seems to think that this is a good thing.  We looked at the student accommodation which was the best I had seen at the many universities we have been around over the last few years.  Some of the rooms even have a sea view.  Oddly, they have two sorts of room which are split between flats of six people and flats of ten based on how outgoing you are; an unusual criteria they discover via a student questionnaire.  Interestingly, the girl's room we saw in the "outgoing" flat had a double bed, presumably based on them being more friendly than their introverted fellows (mathematicians, probably) who had single beds.

On the painting front I have been stymied by the truly terrible, dark weather and, due to some work being done in my study, the fact that I haven't been able to access my paints.  So although I have a number of figures close to completion the paint I need to do so is buried under a terrible pile of stuff.  This has now (sort of) been dealt with and as the Old Bat is working on Saturday I hope for bright light and some painting. 




On the wargaming front I have not been able to get over to the Shed at all so have missed some games of Frostgrave, which I wanted to try.  That said, I think Eric is running it as a tournament so I have missed out on the beginning of the campaign and, anyway, I don't like the thought of tournament play or, indeed anything really competitive.  Most (all) of the other Shedizens are proper wargamers and I would feel uncomfortable playing one to one against them, given my inability to understand rules.  My attempt to paint a female force for Frostgrave has stalled, of course, but I might resume it in due course.


Looking forward to having a go at these!


As regards figures, I withdrew from the latest West Wind ancients Kickstarter as 18mm is really too small for me to paint with my deteriorating eyesight (I have four procedures at the eye hospital over the nest month).  However, I did sign up for Unfeasibly Miniatures Empire in Peril Kickstarter which has three days to go.  Principally I did this for the late nineteenth century Germans which I can use in IHMN but although I am usually resistant to imaginary wars I am very taken with the idea of two armies with pointy helmets.  The period the figures represent has drifted a little and now seems to be early twentieth century rather than late nineteenth century but I have ordered a force of Germans and may add some British at the last minute.




More good news on the pointy helmet front, in that North Star have announced some further figures for the 1864 range.  I had given up on this range due to them just producing Danish Infantry but now they have promised to add some Danish,artillery, cavalry and Prussian hussars.  I still haven't solved the problem of representing leafless winter trees, though.  Anyway, now I can get at my dark blue paint once more I might do a little on them this weekend.  Although I did lose all my reference pictures in the great crash so will have to search for them again.


My 18mm Copplestone Barbarians need someone to fight!


Today North Star have announced that they are taking over the distribution of Copplestone Castings which is very good news.  Mr Copplestone has said that it will free him up "to sculpt new packs for existing ranges and maybe work on a couple of new projects".  I actually thought he had retired and lately all he has produced are a few figures for Frostgrave but he is my favourite sculptor so dare we hope for the long promised 18mm sub-Roman fantasy figures?


Goodbye to all that


Not such good news from Grand Manner who are withdrawing a lot of sculpts in some of the ranges I collect: particularly Dark Ages and also Trojan wars.  I wanted more of the Trojan buildings for Jason and the Argonauts but I really don't have space for any more resin at present. The houses are simple enough that maybe I could have a go at making some but the walls of Troy are a loss.  Sadly, the discount of 15% is not enough to encourage me to pick anything up. He has a lot of new stuff but it is mostly Russian and not of interest to me.

So, let's hope it is a nice bright day on Saturday and I can actually do some painting and don't have to spend all day taking Guy to and from rowing!

Tuesday, November 04, 2014

Sobering thoughts at the Tower of London and Wargame Bloggers Quarterly




The Legatus was in the City yesterday, getting a long overdue haircut from the lovely Tracy.  It had been raining for most of the time during my meeting and lunch with Peruvian contractors but as I came out of the hairdressers at the base of the NatWest Tower (yes, I know it's not called that any more but it's the same with Debenhams in Staines which I still think of as Kennards, although it hasn't been called that for forty years) the sun came out.  Tracy had asked if I had been to the Tower of London to see the ceramic poppy display commemorating the centenary of the Great War.  I had not, so set off there before the light faded.  As I wandered down Eastcheap it was apparent that a veritable pilgrimage was in progress.  Lots of non-City types were heading east as well, in a road not known for its pedestrian traffic.  I had expected some tourists there but not the crowd around the whole perimeter of the Tower.




For all those who play the game of war the visual impact of all those poppies, each representing a person, was a solemn reminder that all the miniature people we move around our toy battlefields are there to mark, in many cases, the existence of real people who lived and died in the past.  Now the Legatus is not a deep thinker and as long as he has access to cold wine, hot food and warm women is pretty much happy but this brilliant display says more about the impact on Britain of the War than any book or documentary can.  The latter have, by their very nature, to look at wider issues of politics and strategy on the whole and, apart from some notable exceptions looking at the lives of soldiers, miss what this display conveys so well: That war is about individual people dying, violently and often in great numbers




Now I am not a pacifist and neither am I an isolationist - some threats to civilisation do need people to make a stand - a military stand (whether the Great War was one of these is a matter of debate) but it would be a good thing if sabre-rattling politicians could be made to spend fifteen minutes at this site (yes, Mr Putin) and think, for once.  Great Britain's losses in the Great War amounted to about 2% of the population or one in fifty people and this in a country which was not, unlike France (4%) in the combat zone.




Now last week I was invited to Eric the Shed's again for another game of Warmaster as our Imperial forces took the field against massed orcs and goblins again, in a larger game than last time.  I even remembered some of the rules and deployed some rudimentary tactics.  I have, like many historical wargamers, slightly looked down on fantasy wargames because my interest in recreating conflicts of the past stems from an interest in history, not gaming.  However, in retrospect, there is an argument that fantasy wargaming, which does not turn brutal conflict of the past into a recreational pursuit, is, perhaps, more ethically defensible than historical wargaming.  No real goblins, orcs, dwarves, men of Rohan or Empire handgunners were slaughtered to provide a setting for a game.  As my new lady friend, A, ventured (deliberately provocatively - she is a provocative woman) recently, isn't wargaming like playing a game about rape?  Can any acts of violence, defensibly, form the basis for a game?  Is the personal violation of rape any different from having your body violated by a musket ball?  There have been attempts in the past to protest against wargames.  The show that is now called Colours and takes place (sadly, not this year) at Newbury racecourse used to be called Armageddon and, as such was picketed by, amongst others, Greenham Common Peace protestors (and one of my ex-girlfriends became a Greenham Common woman so I know something of their mindset), forcing a name change to its less offensive current title.




I am uneasy about playing wargames set in the recent past but there are other games that unsettle me too.  When Wargames Soldiers and Strategy re-launched, a few years ago, it carried an article about a game concerning the assassination of Caligula.  I rarely get incensed enough by anything I read in the press to write to the editor (I did once when The Daily Mirror wrote a sneeringly disparaging article about an ex-girlfriend) but this nearly did it.  The scenario was about a small group of assassins breaking into the palace to kill the emperor.  This made me queasy enough, even if Caligula was a certifiable loon, but the author, Mark Backhouse, offered the following variant: "A second group of assassins start in the Palace complex at the same time with the objective of killing Caligula's wife Caesonia and daughter Drusilla".  I'm sorry, this isn't a wargame in my opinion it's trivialising the murder of women and children.  Nasty!




Now, of course, I am not going to suddenly stop painting my World War 1 British infantry and switch to Warhammer but just pausing to think to reflect on the personal consequences of wars of the past is not a bad thing and Paul Cummins Blood Swept Lands and Seas of Red, to give the Tower installation its proper name, has certainly succeeded in this.




Anyway, on a much lighter note the second edition of the superb Wargame Bloggers Quarterly is out today and you can download it here.  Even more exciting, it contains a piece by the Legatus on Poulet Marengo (I may not be very good at wargaming but I can cook!) the dish cobbled up, or so the story goes, for Napoleon after the Battle of Marengo in 1800.  I was pleased to see a piece by Scott too on his stunning Lord of the Rings Durin's Causeway board and am looking forward to the Sudan feature.  This really is a great initiative and if you haven't downloaded it yet then do so!




Today's music is a seasonal favourite: Sibelius' 3rd Symphony, in the (excellent) version by the Scottish National Orchestra under Sir Alexander Gibson.  For a number of reasons it reminds me of the sort of "crispy autumnal day" (as my former girlfriend SA used to call them) we have had today.  Autumn has been most peculiar in the South East of England this year; it was twenty two degrees on Friday when the monthly average for October is twelve.  Today, however we had our first cold, bright autumnal day.  SA used to live near Richmond Park and on autumnal days like this we used to go running there, as it was this time of the year that our previous friendship became rather more intimate.  I had bought this CD at about the same time so first played it in her flat after the good 12km whizz around the park's perimeter. We would come back feeling flushed with autumnal well-being, warmed by the exercise and the pale sun with the scent of leaves and dead ferns in our nostrils.  Just time for a horizontal warm-down before a lunch of spaghetti alla puttanesca!  Coincidentally, the story behind the creation of this dish is not dissimilar to that of Poulet Marengo in that it is a found ingredients dish created, it is said, in the nineteen fifties by Italian chef Sandro Petti who had to knock together a dish for some customers late one night when he was short of ingredients other than tomatoes, olives and capers.  The Legatus first had it in Rome cooked by our princess lady friend with, as is typical in the region, the addition of anchovies.  So I think I will cook it tonight as the autumnal weather and the Sibelius reminds me of the dish (not to mention SA and her thirty three inch inside leg measurement!).

Saturday, March 01, 2014

Paint Table Saturday: 18mm Fantasy



Having finished my final figures for the Servants of Ra this week I fancied something a bit different this weekend and having seen Copplestone Castings announcement of some new figures for their 18mm fantasy range I dug out some I have had sitting around for ages.   I've painted a number of these before and they are fun to do and a rare venture into non-Lord of the Rings fantasy for me.

I managed a bit on them today but won't finish them this weekend. I hope to get more painting done tomorrow.

Monday, June 18, 2012

More 18mm Fantasy

 June 18th


Some people use a points system to keep track of how much they have painted and I can see the sense in this; as a horse and rider takes a lot more painting than a foot figure, for example.  My system is a very blunt instrument, however, and one piece gets 1 point whether it is one foot figure, a man on a horse or an artillery piece.  There is an argument, I suppose, for giving 15mm figures less points because they are smaller.  However, these Copplestone Castings fantasy figures take as much time to paint as 28mm figures I am finding.


June 5th


Here we have the next eight (after the seven I painted earlier) but I still have another nineteen to paint until I will get some more as I am rationing myself (unusually).  I took a picture of these when I first started to paint them so can tell that, rather surprisingly this picture was taken on 5th June which means I have finished them in less than two weeks.  This is especially good as I was in Boston for a week during that period and also finishing the Darkest Africa wangwana, standard bearer and pirate girl as well as starting another unit of 28mm (non-Darkest Africa) figures which are well under way.  




I really am starting to get some more painting done at last, again, after a very fallow six months.  I have a lot of part-painted figures on the workbench at present so starting another unit last week probably wasn’t a good idea but they have simple uniforms and I hope to get them done next.  I have also started on the Baluchis but these are going to be slow work I think.  

Tuesday, June 05, 2012

A little more time...

My second unit of Wangwana freedmen finished today


For various reasons I have had very little time for painting over the last few months but, hopefully, I should be able to do more going forward.  I've spent a lot of time working on winning a new contract which I now have so that will enable me to add to the lead pile for the next year or so!  I've had a bit more time for painting in the last few days because of the Bank Holiday and have managed to finish another unit for my Zambezi Campaign.  Still, I have painted less than fifty figures so far this year so need to up the output again.  There won't be much more this week as I am off to Boston where I really will have to resist the lure of the American War of Independence on my return!


Fife & Drum's AWI British


That said, I am sorely tempted by the wonderfully elegant 30mm figures by Fife & Drum miniatures showcased in this month's Battlegames, which was given away free with Miniature Wargames. Sculpted by Richard Ansell, in his typically anatomically correct style, the range will, of course, be less comprehensive than the Perry figures for Foundry and Perry Miniatures.  However, they look so nice that maybe a couple of small skirmish forces wouldn't be a bad idea and the fact that they will be a smaller range may be a good thing! The pictures of them make them look more like 40mm figures and show how distorted most 28mm figures are; something which has always offended my artistic sensibilities!




I haven't bought Battlegames for some time but the decision by Atlantic Publishers, its new owners, to give it away free was sensible as I had forgotten what a good magazine it is.  The feature on the Two Fat Lardies (I still hate the name) approach to writing rules was fascinating and I also liked the look of the smuggler's scenario.  I'll have to start buying it again and also pick up some of the back numbers I have missed.

Many other people have commented on the fact that Warhammer Historical have stopped trading and there have been many discussions as to the reasons for this. Arrogance towards the customer seems to be the main one which is obviously (but not to Games Workshop) not a sensible way to retain loyalty from retail customers.  

As to the rules themselves they got me back into wargaming partly because they adopted the visual style of the top magazines.  I remember when wargames rules were just copied typewritten sheets with hand-stapled covers.  I need visual stimulation to get me interested in painting and the Warhammer Historical provided just that.  Their approach has had a major influence on the presentation of wargames rules ever since, although some will say that the resultant high cost of these full colour volumes was been a negative. WAB was a revelation to me when I first saw it.  Indeed, my first wargame against opponents since 1981 was a WAB Saxons and Vikings game at Guildford against Mike Lewis of Black Hat miniatures.

Even though I am not a rules monkey there were still some things I didn't like about WAB and these were mainly to do with the look of the game; principally that units tended to be 4 deep square (or near as) blocks, whatever their historical formation may have been.  This was especially the case for Romans whose units tended to be small.  I wanted more linear looking units and thought that WAB 2 had solved this as it made the maximum rank bonus limited to 3 instead of 4 ranks in total.  Unfortunately, WAB 2 had so many other problems with it that it essentially killed it off as a game.  People started looking for other options, not finding them and so writing them; hence the slew of new ancients rules of late.  I've just found a space on my shelves for War & Conquest which looks set to fill the gap left by WAB.




One set of rules I did like was Warhammer ECW.  We played these at Guildford several times and we thought they worked well and had some period flavour too.  Nevertheless I have just bought the new Pike and Shotte rules from Warlord Games.

Interestingly prices on eBay and other places such as Caliver Books are seeing the more recent Warhammer Historical games, such as Kampfgruppe Normandy, now selling for more than their original selling price.    I'm still trying to obtain a copy of the WW1 Over the Top supplement. Although I will keep playing some of the games it does mean, sadly, that none of the promised future supplements (covering WW1 in Africa, for example) will see the light of day.


Copplestone 18mm fantasy are next


My next figures under way are some more 18mm Copplestone Castings fantasy.  He has released quite a few more packs since I bought the first three but I am being good and won't buy any new ones until I finish the ones I have!


Foundry Baluchi swordsmen


I have also now assembled and based a unit of Warlord's Natal Native Infantry for the Zulu Wars and, also on the Darkest Africa theme, have my next unit for the Zambezi campaign, some Baluchis, ready for undercoating.