Showing posts with label Paint Table Saturday. Show all posts
Showing posts with label Paint Table Saturday. Show all posts

Saturday, April 25, 2020

Paint Table Saturday: Three projects



It's paint table Sunday and I have realised that it is counter-productive to write blog posts when I could be painting so I am doing this, retrospectively, now that the good light has gone. I get bored painting, very quickly, and given my eye issues I no longer find it relaxing and  can only manage about forty five minutes at a time, now.  To stop myself getting too bored, therefore, I usually have around three active projects on the go at the same time.




I began these warriors of Rohan, for Lord of the Rings, back early last year but have pulled them out again. I have now located their shields and today I finished the base coats of them, So for the next few weeks it will be onto shading.


First completed figures of 2020


This week I finished the Lucid Eye Red Simians and as the factions for this game are only seven figures I dug out another unit I had started. In fact all I had done on these was the flesh base coat. Why do I hate the word 'flesh'? It gives me the shivers and I never use it in spoken English. It's like the American  'panties' or 'tights' or 'offal'. Just nasty, creepy words that make my brain recoil.




Next up, therefore are the Jaguar Tribe who are based, I believe, on some Aztec period Central American people. I haven't looked up how they should look as the historical name of the people is too complicated for me to remember. It was like yesterday when my father in law asked me what antibiotics the Old Bat was on and I couldn't for the life of me remember or pronounce their names. The Bat had a relapse last week and the doctor sent her to Epsom Hospital. They actually put her in a bed in the Covid-19 ward (interestingly, only four people in it) while they did tests. Oddly, they didn't test for the Chinese Virus as they were sure that she had had it. They put her chest pains down to Gastroesophageal reflux and presecribed some pills, They let her out of the hospital and the next day she felt worse. By Friday she couldn't breathe but, fortunately, the local doctor rang up to check on her. She prescribed some antibiotics and I just managed to get them before the pharmacy closed. Just as well as by eight in the evening she couldn't breath or speak (that's how you know the Old Bat is really ill). However the antibiotics kicked in and this morning she is tired but much better. The doctor had rightly diagnosed pneumonia (which a lot of Chinese Virus patients seem to be getting afterwards). So, anyway I moved the Jaguar tribe along yesterday between running errands for the Bat.




Also, as part of the Jaguar faction, there are a couple of, well, Jaguars. I will paint one as black and try to paint the other in its spotted form, although that may be a bit ambitious.






Finally, my third unit under way is another Lucid Eye Savage Core unit, the Atlanteans, who I based and undercoated on today. They are are, basically, Ancient Greeks. I have painted quite a lot of Greeks so should be able to manage these. I need to decide on a colour scheme for them. As they are not historical I can go wild so I think I am going to use the colour scheme I used for Lucius Verus who, in turn, I based on a costume from Cleopatra (1963).

So, these three projects should keep my busy, although I am flat out at work at the moment writing a very long report so can't paint during the day. Maybe I can get a bit done some mornings but the weather is not going to be so bright next week.




I usually drink Lifeboat Tea but have nearly run out so have not opened the last two boxes I have (because if you finish your last boxes you will get the Chinese Virus and die) so am currently drinking Fortnum & Mason's Queen Anne tea which is loose leaf. Now, I used to be a terrible tea snob at university and we all only drank leaf tea. It's years since I have had it at home but it is a bit of a revelation, not least as regards price per mug. The box I have (which was part of a hamper my parents in law were given at Christmas) is £12.95 a tin. But twenty-five teabags of the same stuff is £5.95.  This makes the loose tea much, much better value. I started the tin three weeks ago and have over a third left. twenty-five tea bags, costing nearly half the price of a tin, would have lasted me about three days.  I think it was my slinky lady friend K, at Oxford, who used to drink this. It is certainly fragrant, elegant, warming and, indeed, familiar. There is a Fortnum & Mason shop in the Royal Exchange in the City, so when I can next go to London I might get some more or try Royal Blend, which is the one I used to have.




So, finally, what are my annoyances this week? One wargaming and one not. A really major annoyance is that on my new computer keyboard the insert key is next to the backspace key, something I don't remember from my old keyboard. So when I hit the backspace key (which I do a lot) I more often than not hit the insert key. This turns my cursor into a blue block which starts gobbling up text until  I notice. It is not good for my blood pressure!  Argh! It's just done it again while writing this paragraph.  The second annoyance is bases on wargames ships. Now, I have ranted on before as to my inability to comprehend why people put bases on AFV models (they aren't going to fall over!) but the new Warlord Games WW2 ship game (which I might have been interested in) come with the most ludicrous bases I have ever seen on a ship model. They are all stuck on something that looks like a French bread pizza base. Talk about an instant no sale. The models for their Cruel Seas weren't like this! Anyway, these naval games seem to require huge amounts of on board (to coin a phrase) clutter and I don't like tokens and cards next to units.




To go with my Savage Core painting, I am listening to American ambient composer Michael Stearns' atmospheric 1995 album, The Lost World.  It really is a perfect accompaniment!




Today's wallpaper is the accurate if unimaginatively named 'bathers' (1920) by the Belgian painter Théo van Rysselberghe (1862-1926). It was painted toward the end of his life, in the South of France, like most of his nude groups.

Saturday, March 02, 2019

Paint Table Saturday: Byzantines, Dutch, Indian Mutiny, some Kickstarters and back to school.

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It's a very long time since I have written a Paint Table Saturday post but I am indeed, doing some painting, thanks to the ongoing Sculpting Painting and Gaming Facebook Group (although the lack of a comma in the title continues to annoy me). In theory, you are supposed to paint for 30 minutes a day but what with the bad light and four proposals to get done for work since January my output has dropped a bit. I am not managing 30 minutes a day but I have now painted for at least 30 minutes a week for 16 weeks in a row.  Some weeks I am close to, or even over, the required 210 minutes.




So far in 2019 I have completed 29 figures which is not a bad start for me, given that my bad eyesight makes it hard for me to paint for very long. Last month I finished a unit of twenty figures depicting the 64th Foot from the Indian Mutiny (Iron Duke Miniatures).  I will get some more of these soon as I have actually painted all of the ones I own, shockingly. As usual with wargaming flags, for some reason, the standards are rather oversize making it difficult, given I gave them the correct length (scale 9' 10") poles.  I wish flag manufacturers would say that there flags are oversized. 'Oh they look better on the table' say idiots on TMP. Not to me they don't. It's like those people in the past who used 54mm figures on the table to depict their generals. Also, the standard bearer figures' hands are in just the wrong position to easily hold the flagpoles. It took me a very frustrating hour to get them attached, Immediately afterwards I had to go to the doctor and he was concerned about my 'alarmingly high 'blood pressure. I had to explain what had caused it.




My current projects include a unit of Fireforge Byzantine archers and three Byzantine command to go with the nine rank and file I finished in January. I have all the base colours down on these now so hope to push on with them this weekend, In addition, I am working on a couple of individual figures for when L get bored with production line painting. One is a pulp Turk/Egyptian and the other is a Harry Potter figure for my daughter, really just to see if I can do it justice and thereby justify buying the game which my daughter would then play with me, at least.




These six figures are a purchase from this week; six North Star 1672 Dutch. I ordered these at lunchtime on Tuesday and they arrived Thursday morning, which is nearly as good as Amazon.   This purchase was inspired by a new book on the Dutch army of the period which came out this week. I bought some of these Copplestone sculpted figures ten years ago when they first came out and even painted a couple but finding information on the Dutch army of the time proved impossible so I gave up on the period. Hopefullym I will now be able to produce something for use with The Pikeman's Lament.  Compared with the plastics I have been painting lately these big chunky metals are going to be easier to deal with I think.  I just need the book to arrive so I can get properly started.




A big box of a Kickstarter I backed some time ago arrived this week: The John Carter role playing game. I couldn't even remember if I had backed this or cancelled it but here it is. Now what on earth do I do with it? Lots of delicate looking resin figures. Oh dear!  Thirty four figures and a 238 page rule book!




I first read the Edgar Rice Burroughs books in the early seventies when I was enticed by the covers of the New English Library paperback issues which largely featured under dressed ladies, much to the delight of my twelve year old self.  The key painting issue with these is going to be devising an appropriate flesh tone for the Red Martians.

The problem is that the more I paint the more figures I want. When I wasn't painting much I didn't buy many figures. I really, really must sell some I am never going to do!




So absolutely no reason to back another Kickstarter this week, of course. But that is exactly what I did with Paul Hicks' American War of Independence figures for Brigade Games (it's funded with 26 days to go). As usual I am influenced by the sculpts not the wargaming potential but this is a period I have literally toyed with for many years, ever since my Airfix days. I bought a lot of the Perry Foundry figures but although Perry Miniatures comprehensive range is very fine the older Foundry sculpts look rather old fashioned (and small) now,   Rebels and Patriots will be the set of rules for those and I will resist the temptation to do a historical battle (always my downfall) in favour of some skirmishing.  The only issue will be, I suspect the massive customs duty and shipping charges for the 20 packs I have committed to.




I was actually supposed to have a game Sunday week at Eric the Shed's. He is doing one of his big weekend games and this one will be Hastings; a battle I have always wanted to game. Sadly, I discovered yesterday that I have to return to Botswana next Saturday so will miss it. This will be my third visit in thirteen weeks. Never mind it will provide some money to buy more soldiers I will never paint! Also lurking about is another Kickstarter I bought into: West Wind's War & Empire Dark Ages figures. Maybe I can do 15mm Hastings instead!




Other than lots and lots of work (although it would be nice if some of our government clients actually paid their bills - not mentioning any names, effendi) not much else has been going on.  The most bizarre day was being invited back to my school to talk to some pupils about working internationally).  One thing I hated when I was young were all the 'Back to School' adverts in shops at the end of the summer. Not something I wanted to be reminded of when i was on holiday.

I really enjoyed the tour of my old school they gave me, although I hadn't really been back properly for forty years. They now have twice the number of pupils we did and the buildings are three times the size.  The first thing I saw when I walked through the main door (we weren't allowed to do  that when I was there) was a group of willowy teenage girls from the school next door (where my daughter and, indeed, the Old Bat, went).  They have a number of joint lessons with the boys from my school now. This would have actually caused a riot in my day. We weren't allowed within 22 yards of the fence between the two schools in order to prevent any fraternisation at all. There was, however, a small area behind the CCF glider hut where you could engage with conversation with the young ladies without being seen from either school building. So I was told.

The school had copies of the School magazine out from when I was art editor and we looked at the pictures I had done for several issues. Mostly of young ladies. I was notorious for being the first person to submit drawings of women to the school magazine.  The food choice at lunch was amazing (whatever happened to beef/lamb burgettes and the spaghetti bolognese that looked like worms in a cow pat) and I was surprised to learn that fifty percent of the staff were now women. We had one lady German teacher and that was it.

Although a lot of the fabric of the school I attended was still there it has been extended and changed so as to be almost unrecognisable. In particular replacing the parquet floor has changed the whole nature of the place. Walls which were external are now internal with additional atria added putting what was outside inside, like parts of Las Vegas. Occasionally there would be an unchanged part, like the school hall and it would take me right back. I told them that my Uncle went to the school and they found his entry details from 1932. They emailed this to me, I sent it to his sister and she sent it to his children and as a result I have reconnected with my cousins who I haven't seen since 1975.

"What one piece of key advice do you have for the boys?" I was asked. "Don't have anything to do with the girls from the school next door!" I replied.  It wasn't just the Old Bat. There had been other stressful interactions with these girls. As my friend Dibbles told me at the time: "you are better off with the girls from Surbiton High, they are prettier, sluttier and less stressful." I wore my old school tie and they wanted it for their museum display case. I felt like a museum piece myself after I left.




In memory of Andre Previn, one of my favourite conductors, I am listening to his recording of Prokofiev's atmospheric Cinderella. It's not as well known, or as melodic, as Romeo and Juliet and takes a bit of time to get into but the more  I listen to it the more I like it. 


William Etty Female nude in a landscape circa 1825


Today's wallpaper is by the English painter William Etty (1787-1849).. He was the first major painter of the nude in England but scandalised parts of the artistic establishment by continuing to paint from life well after his student days and scandalised parts of the rest of society by including ladies' pubic hair in some of his paintings. Out of fashion for a hundred and fifty years after his death, he has recently come back into favour again, particularly after a large retrospective of his work in his home town of York in 2011

Saturday, May 12, 2018

Paint Table Saturday: Byzantines, a tidy workbench and a trip to Cowes



Regular readers of my paint table Saturday posts may be surprised by the absence of paint in this picture.  Previously there were dozens of pots of Humbrol enamel to the left, where my mug now resides in solitary splendour.  Under the computer screen were piles of figures I was working on and to the right was a horrible pile of paints, unopened figures and paintbrushes.  Chaotic does not even begin to describe it.  Then I read about a storage system in a review in Wargames illustrated and in less than 48 hours was presented with a heavy box of nicely finished plywood pieces.  Perhaps emboldened by my work in assembling my Victrix war elephants I charged straight in to start working on it.




I was so impressed with the unit and my skills in assembling it (er) that I sent off for two more units of drawers from the same manufacturer.  These went together as easily, although were not quite so robust, being MDF, but once painted black fitted pretty well with the big unit.  Together, the two were the same width as the large unit, although a little less deep from to back.  They came with drawer dividers but I wasn't going to use them so chucked them out.  No doubt Eric the Shed would have used the bits to make a Northwest Frontier fort!




So, here are the three units in situ.  Glue, filler, files and glasses top left.  Paints I am currently using underneath them.  Below that three drawers which hold tall bottles of varnish and paint, taller figures in process (Byzantines with spears) and bases,  The big drawer underneath that has all my Citadel paints and washes and the bottom draw has other figures in progress.  In the centre there is a space for white spirit and matches for stirring paint.  Top left there are special racks for paintbrushes and next to that are  knives, my magnifying craft glasses and my water pot.  In the big drawer below that are bits and transfers.  The bottom two drawers are more Humbrol tinlets.  It really is amazing how much I got into this thing!


Before


After


I couldn't quite get everything in.  My pots of sand and gravel with some overflow paints have gon onto my old paint rack behind the computer screen but it is an amzing improvement on what was there before.


 Before


After 




This is just part of an ongoing tidy up of my study.  There is still an awful lot to do but I now have one tidy corner at least.  The next job is to file a load of DVD's into albums and free up some shelf space for books,  Step by step!




So now that I have a less stressful working environment what is on today's workbench?  I haven't forgotten about the Carthaginian elephant crew but I am waiting the arrival of some Micro-sol and Micro-set for the shield transfers.  In the interim I have started the Byzantine infantry I got at Salute.  These aren't as refined as Victrix plastics but are perfectly serviceable and do not suffer from gnomish big head syndrome like the Gripping Beast plastics I have seen (at least their Vikings). I bought the extra resin command and these are very nice indeed.  Assembling the resin figures was a bit of a pig as even superglue takes ages to dry on them and you need to wait an hour after sticking on one arm, for example, before attempting to glue the next piece.  This is the second batch for a unit of twelve for Lion Rampant.  I have already started painting the first five but will leave them now until I get these up to the same stage.




I didn't get any painting done last weekend as I was down in Cowes for my father in law's ninetieth birthday party at the Royal Yacht Squadron at the Castle.  The Squadron are brilliant at this sort of thing and the weather was wonderful, which helped a lot as it meant that guests could wander out onto the lawn overlooking the Solent.  Tea on the lawn (technically tea overlooking the lawn) being a popular activity during Cowes week. A couple of years ago I had a nice chat with Zara Tindall, Princess Anne's daughter, there. Princess Anne knows my parents-in-law and has been sailing on their boat a number of times.  She is very nice too and was quite prepared to muck in on the boat, clean the decks, empty the bin etc.  The Old Bat is not convinced about 'that trashy American' due to marry into the Royal family imminently.  'I wouldn't curtsey to her!' she maintains. "She just wants a title then she will dump Harry and will be back to America and hope to become Jackie Onassis for the rest of her life!" says the Bat.  She'll still watch the wedding on TV, though, so she can be rude about all the women's outfits.




You are not really allowed to take pictures inside the Castle but I couldn't resist taking a shot of the Kaiser's racing ensign, from the Imperial yacht, just outside where the lunch was held (which isn't in the main building anyway).  There were two types of guests: yachtsmen and supercharged medical people.  All of them (and especially their wives) were snapping away inside on their mobile phones, disgracefully.  My father-in-law asked me to look after a girl (the youngest person there by about forty years) from a boatyard on the Thames who had single-handedly restored a Dunkirk little ship. He was worried she might be a bit overpowered by the type of guests (three potential Nobel prize winners) but there were enough boaty people for her to feel at home.  Last time I had seen her she was bending planks of wood to fit the hull of a boat. Talk about having all the skills I don't.  She came on her motorbike and despite wearing a nice blue dress, her arms and thighs (it was a very short blue dress) were speckled in paint.  Splendid, I thought, until I realised that I was old enough to be her grandfather. 




Lunch was excellent and, as a bonus the Old Bat wasn't there as she had to work and she certainly wouldn't have liked the Bembridge lobster. 'What sort of person eats something like that?" she cries in utter incomprehension.  Me, actually.  Isle of Wight lobsters are some of the best in Britain and when Mary Berry did a TV programme on them it was to the Island that she came.




The Squadron are very good at using local suppliers for their food and they had the full range of Isle of Wight cheese and even local crackers.  Yum yum.  It isn't that many years since the Isle of Wight was famous for being the only county in Britain without a single entry in the Good Food Guide but now it produces wonderful crustacea, lamb, tomatoes, garlic (especially), wine, beer and even gin.  There is even a Michelin starred restaurant on the Island now but I have never been.  The Old Bat would object to the price (she doesn't approve of going out to eat when you can 'buy the same food in a supermarket'),  Guy only eats breaded chicken and pizza and Charlotte is a vegetarian.  It's no wonder that I go out to eat regularly with ladies from my past!




I went to the Ocean Liners exhibition, at the Victoria and Albert Museum, with one of these ladies recently.  This really is the best exhibition I have attended for some time and is highly recommended.  I have always wanted to cross the Atlantic on a liner, although my father-in-law says it is often a rough experience.  He lived and worked in the United States in the late fifties and returned home in the SS Saxonia.  He had bought a new car in the US and provided it was over a year old he would avoid the import purchase tax of twice the value of the car that would be levied on arriving in Britain. He had calculated that he would avoid this by one day but the Saxonia was making such good speed that it was due to arrive a day early and he would be clobbered by the tax.  Being my father-in-law, he asked the captain to slow the ship down!  This he couldn't do but instead, took an unscheduled detour to Le Havre instead and saved my father-in-law hundreds of pounds.




It is appropriate that today's music is the official CD of the Liners exhibition which is a great collection of twenties, thirties and forties music, which played inside the exhibition.  I bought the book too.  I really need to get my bookshelves sorted!


Nude lying on a couch (1873)


Today's wallpaper is by Gustave Caillebotte (1848-1894).  Caillebotte qualified as a lawyer and also an engineer but was drafted into the Garde Nationale Mobile de la Seine in the Franco-Prussian War. It was only afterwards that he began to study art seriously and he first exhibited in the second Impressionists exhibition in 1876. Although, as can be seen here, many of his paintings showed a tighter realism than his peers. Caillebotte's brother died at a young age and the artist (rightly) thought that he would not live into old age, so he wrote a detailed will leaving his collection of his and other impressionist paintings (Renoir was his executor) to the French State. Impressionism still wasn't really accepted in Paris by the authorities and they didn't want them balthough an exhibition of part of Caillbotte's collection, after his death at the age of 48, was the first show of impressionist paintings held in a public venue, at the Palais de Luxembourg.  More than thirty years later, the French government, having changed their mind about impressionism, tried to grab the collection but the Caillebotte family saw them off and many of the paintings in the collection were bought by Albert Barnes and taken into his Barnes Collection in Philadelphia, where the Legatus went to see them a few years ago.

This is an uncompromisingly realistic nude for 1873 and has none of the usual themes that artists used to justify painting naked ladies at the time; such as bathers or classical subjects.  As a result, it has a timeless quality which makes it look more modern than its 145 year old age.

Saturday, March 31, 2018

Paint Table Saturday: Back from Africa




I had hoped to have finished my Carthaginian war elephant crew by now but, unfortunately I had to work abroad for two weeks earlier this month and when I got back I had picked up a very nasty bug which has left me with a headache, sore throat and cough.  I have had it for over ten days now and it is very tiring.  Nothing to do, therefore but catch up on all the TV I recorded while I was away, including one of my favourites, Repair Shop, which the Old Bat declares is literally watching paint dry.  She claims I would be better off going upstairs to watch the paint dry on the bedroom walls as at least I would then get some exercise too.  I love Repair Shop, of course, because I have no ability to do anything with my hands but these people can do anything. 




Anyway, yesterday and this morning I have got the flesh tones down on my elephant crew, having assembled the figures yesterday.  I have even done the shading on the mahouts, or whatever Carthaginians called them.  The Punic language did survive the fall of Carthage and may have even hung on until the time of the Muslim conquest of North Africa but being a Semitic language, as well, it was likely absorbed at this time.  I am also working on the skin tones of a half dozen Perry Afghan tribesmen (as they share a similar palate) which I picked up at last year's Salute, This week I took delivery of a dozen mounted Afghans, which I will need for my force for The Men Who Would be Kings.  I need another eight, so will get three packs at Salute in two weeks time, hopefully.





There was a flurry of emails between myself and Gaborone earlier in the month. We had just won a tender to do some government training in Botswana and the government there had fixed the dates without telling us.  'We'll have a briefing meeting here on Sunday' said our local man.  What?  This was Tuesday!  We tried to get them to delay a week but they couldn't.  Barely time to sort out my washing and ironing, get my Malaria tablets (you probably don't need them at this time of year but I wasn't risking it!) and finish my slides.  Off to the airport on Saturday afternoon.  Shockingly, on the last couple of BA flights I have taken, there have been lots of attractive young ladies working as cabin crew.  Where were all the camp men in dodgy short sleeved shirts?  Where were all the fifty something old boilers who appeared to have escaped from doctor's surgery reception?  'You want a drink, why?'  No, just lightly fragrant young women with amazingly complex hairstyles (do British Airways have new hair design clinics?) enhancing the whole flight.  Lovely.

Travelling is, of course, a series of stress points for me, which means as soon as I pass one the next one is looming. Will I remember everything for my packing ? (no, I forgot my shirt collar stiffeners and my USB plug).  I have a list to ensure I don't forget things but I can't remember where I put it). Will I get to the airport on time? Hope there are no problems on the M25. Will I get on the plane early enough to get my bag stowed in the overhead locker? This is an increasing problem. The number of young women who have a drag-a-bag, a back pack and a vast handbag is starting to annoy me (Me? Annoyed? Surely not).  That's three bags, bitches. One bag.  You are supposed to have one, unless you put the others under the seat in front, which they never do. No, they put them in the overhead locker, next to each other, rather than on top of each other, so they can constantly get at their hand lotion, lip balm, hair brush, eye drops etc. etc. during the flight.  Then. of course, in the morning (it's an eleven hour overnight flight) they all take bags of toiletries into the washrooms.  People are desperate for the loo, women, they can't wait for you to pretty yourself up for landing.  Get a bloomin' move on!  Grr!  At least there were no screaming babies in the cabin (they should have to go in the hold, like dogs). When we land it is a race to passport control to avoid queuing, as I try and count off people I pass.  Will they accept my passport?  It's in a bad state now, at the end of its life and often attracts negative comments from bored immigration staff.  Annoyingly, I have to replace it this year, so will just miss a new blue one, with all its inherent promise of sending a gunboat if Johnny Foreigner kicks up.  At least mine won't be made by the French, I suppose.




The late departing flight kept me stressed the whole way, as it gradually became clear that we were going to miss our connecting flight. Lovely blonde stewardess, with tiny braids set around the back of her head, told me to ask the ladies as we got off the plane and thankfully a South African lady was waiting with my replacement boarding pass for a flight three hours later.  At least I could recover in the nice lounge for a few hours.  SA Express had much better cabin service than Air Botswana, which we were supposed to have flown on. They managed to served lots of drinks and proper snacks on the fifty minute flight.  Efficient! We missed our Sunday afternoon briefing meeting, though, which meant leaving the hotel at 7.00 am the next morning.  Actually, we had to leave the hotel at 7.00 every morning, which was no joke when Botswana is two hours ahead of Britain.  It took 21 hours door to door but I was glad I was back in the Avani hotel.  The course we were giving was in another (very nice) hotel but ours had gardens and a pool and the Pool Bar which we use as our office.   The temperature varied from 25 C to 32 C over the two weeks which helped my mood too. 




Anyway, it was basically eleven days straight working, including a flight up to Francistown, Botswana's second city (population 43,000).  We did there and back in a day on another too small aircraft.  I wouldn't have minded staying there for the weekend, actually, as the training was in a nice hotel where all the accommodation was in individual, thatched lodges and the weather was like a perfect Mediterranean climate.  Indeed, we gave our course in a thatched building too, which was a first.  The locals wondered why I was taking close ups of the outside and the inside of the thatch which was, of course, to do with my recently purchased bunch of Grand Manner African huts.


The River Tati


We also stopped to have a quick look at the River Tati.  Like most rivers in Botswana it is just sand for most of the year but after a lot of rain recently (they really needed it - the first time I went in 2016 they hadn't had proper rain for three years) it actually had some water in it.   A tributary of the River Shashe,which empties into the Limpopo you can't get much more Darkest Africa than that.  Well not with easy access to a nice outdoor terrace which serves Martinis, anyway.




Francistown proudly declares itself an international airport but it became apparent, on the way back to Gaborone that evening, that, in fact, they only have two flights a day leaving from there.  Bustling it is not.  They actually have six gates there, so they were obviously planning ahead for the day when it becomes a bustling tourist and business hub.  Or perhaps the Chinese sold them an airport far bigger than they actually needed.  Surely not?




I tried to be good about not eating too much, as a buffet for every meal had the potential to be a disaster.  I did try local delicacy Mopane worms, which were served in some sort of sauce.  These aren't worms, of course, but the caterpillars of the Emperor Moth.  They had no taste at all and were rather like eating a stick with dry rot.  Very high in protein, I was told and they can form 70% of the diet or people in rural Botswana and Zimbabwe.  Personally, I much preferred the goat curry and Kudu steaks.  I also had some excellent (really, really excellent) ribs at the Bull and Bush Irish pub on St Patrick's day.  




The best meal was at an Italian restaurant owned by the Foreign Minister where I had a quite superb fillet steak.  Botswana beef is rightly famous and is exported all over the world (Norway buys a lot, apparently).  I taught the lovely (goodness me there are some lovely women in Botswana) local waitress that as she was in an Italian restaurant she should learn to say 'al sangue' not 'bleu' for correctly cooked steak.  The restaurant even had Santa Cristina chianti, which I used to drink with my particular friend Principessa I in Rome thirty years ago.  Nostalgic!




Speaking of wine, at the weekend I got invited to a South African wine tasting at another big hotel.  A large tent with about two dozen producers serving wine to a predominantly female clientele, largely dressed to the nines and tottering about (increasingly tottering as the afternoon went on) on their ridiculous high heels.  




There was a huge local derby at the football stadium, hence the dearth of men.  'Not watching the football?' increasingly relaxed ladies asked me.  'Don't like football.  Prefer wine and ladies,' I answered, truthfully.  Each group, usually three or four of them, then wanted me to try their favourite wines, as I admired their shoes, to their delight.  I have had worse afternoons.  Well, evening as well, actually, as one posse attached themselves to me for the rest of the day and compared stories of friends having been to freezing England.  Fortunately, I missed the second big freeze while I was away.




On the final night our local contact took us to the tallest building in Botswana (28 floors) which has the highest bar, the relentlessly trendy `Room50Two.  It was a wet and stormy night and the views over the city were impressive. The hills around the capital are oddly wargames like, in that they seem to spring straight up from an otherwise flat landscape.




It had been an exhausting twelve days, so I deserved a Vodka Martini (or two) and they were largely medicinal, anyway.  Later on, after our Italian dinner, I decided I needed a nightcap and to get away from my colleague, whose conversation consists entirely of reading the BBC News political headlines from his phone and then ranting about each story.  I told him that I wasn't interested in politics, didn't know the names of any of the people he was talking about and how would he like it if I read him all the headlines from The Miniatures Page every twenty minutes. Anyway, I went to the Pool Bar at our hotel. 'Hello' purrs a lovely local lady, setting her beer on my table, resting her forearms on the surface and presenting her chest assertively. 'Perhaps you would like a manicure or a pedicure?'  Well, never had that offered before.  I glanced at my fingernails, anxiously.  'Or maybe a massage?' she suggested, hopefully. I instantly realised that she had suggested a manicure or pedicure as the thought of giving me a massage was a step too far, even for cash.  She was lovely, though, as had been the one in the skintight trousers the night before.  Walking death sentences though, both of them,  Unless she really was a friendly beauty therapist.  Not in that blouse, I suspect. 'Haven't seen these types of girls in here before,' I observed to my waiter.  "Ah, it is because there are lots of Chinese staying here at the moment," he observes. I don't look very Chinese, I think. Maybe I do just have bad nails.





The next day we didn't have to leave the hotel until 3.00 pm so I spent it in the Pool Bar, writing my report and enjoying the outrageously shaped ladies by the pool who were there to organise a jazz festival at the hotel for later in the year.  Everywhere they went they were accompanied by promotional balloons, oddly.  Debbie was particularly nice and we happily shared lunch and, companionably, a plug socket for our laptops.  Safe sex, anyway, even if my fingernails remained tatty.  I had dinner in the lounge at Johannesburg so I didn't have to eat on the plane and could try to sleep from early on.  Fortunately, the two people inside me settled down for the night and didn't move for eight hours.  The man had those horrible thick, blonde hairy forearms I usually associate with Australian men but he was South African.  Wifey was rather fine, however. Across the aisle I had whining fat vegetarian woman, who complained loudly when there was no vegetarian option left when the food trolley reached us (we were in the very last row). "Did you order a special vegetarian meal?' asked yet another lovely stewardess, patiently.  Of course fat vegetarian hadn't (boy, she must eat a lot of nut cutlets.  Most vegetarians I know are thin).  She moaned about everything else too (they had run out of pretzels by the time they reached her, before this, which started her off).  She was wearing a weird looking orange puffy jacket with vertical ribs; like a lilo.  When she fell asleep she looked like a collapsed pumpkin that had been left on the front step a week after Halloween. In front of me I had Mr Elephant Man hair, whose strange wavy (and badly dyed) hair seemed to have been glued to his head in three strange asymmetrical clumps like three giant walnut whips. He was one of those people who has to open his locker every twenty minutes.  Maybe he was looking for his moisturiser.  Opposite him was Miss Nice Leggings who kept making little videos of the inside of the plane.  When she started filming the emergency exit the stewardess got anxious and asked her what she was doing.  She claimed she worked for a company that made interior sets of aircraft for films.  Hmm.   She was up and down to the locker, too, rooting around in her three bags but I didn't mind her, as she had a top that was just a bit too short when she stretched up to the locker. Anyway, back home now and, hopefully, no more overseas trips for a bit and more figure painting.




Today's rather sumptuous wallpaper is by the Polish painter Wojciech Gerson (1831-1901).  Born in Warsaw he worked and studied there most of his life, except for a two year period of study in St Petersburg.  Well known in Poland today for his landscapes and patriotic paintings, many of his works were stolen by the Germans in World War 2 and have disappeared, so often only black and white photographs remain.




Today I am listening to the annual four day Classic FM Hall of Fame, which isn't a Hall of Fame at all, of course, but a top 300.  They are up to number 164 now and I have got more than ninety of these on my iTunes; the missing ones being largely choral works as I am not a big fan of those. I usually hear one or two things during it which makes me want to add them to my collection and so far it has been Strauss' Four Last Songs and Max Bruch's Scottish Fantasy.  My mother used to love Bruch's violin concerto but I find it one of those pieces that I have just got sick of over the years.  I am the same with Beethoven's fifth and sixth symphonies, Mozart's clarinet concerto, Tchaikovsky's piano concerto and some others.  Some of the first classical pieces I got on record, when I was eight, and inherited some of my aunt's collection when she got married, like Dvorak's New World and Beethoven's 3rd I never tire of, though, so I can't work out whey some have grown stale.