Showing posts with label Napoleonic. Show all posts
Showing posts with label Napoleonic. Show all posts

Sunday, September 13, 2020

Paint Table Sunday: Back from a break, reading a wargames magazine over lunch, new temptations and devil dogs




I haven't been painting for  around two months now, largely because the Old Bat has taken a turn for the worse with her Long Covid and Charlotte has been unwell too, so I have spent a lot of time running around after them, going to pick up prescriptions, take the Bat for blood tests, doing domestic stuff, gardening (ugh) and cooking with some work fitted around all that. Latterly it has been the Tour de France on TV as well. Really, however, I have just not felt like it. We had that very hot weather which made painting impossible and then it got very grey and dark and I really need good light to paint as I cannot manage it under artificial light at all. Mainly, however, I was in that situation where the figures I had started on my workbench (to use an inappropriately artisanal term which makes it sounds like I could actually make something) were really only just started. I find nothing more demotivating than having a load of figures which are a long, long way from being finished.




Today, however, I actually sat down and did an hour's painting. It was all base coat stuff and I was struggling with my eyesight again but I will try to do a bit every day; as I have done in the past. I have Lucid Eye Atlanteans, Crooked Dice V aliens and some of the new Wargames Atlantic Afghans on the go. Now, since I got the latter, Perry have announced their own plastic Afghans as well but I will just get those too. With Afghans you need as many different figures as possible. More interestingly, Wargames Atlantic have announced plastic mounted Afghans which I will need for my The Men Who Would be Kings force (as I have actually painted my British starter force). I suspect the Afghans will be quicker to paint than the others.




In the past, my far from eagerly awaited pieces, Reading Wargames Magazines Over Lunch, have described a succession of meals in London, usually in what would otherwise be non productive gaps in my work schedule between meetings. No such luxury these days, as I haven't been to London since 28th February, so it was a rather unexciting tuna salad (the only fish I eat, along with smoked salmon) in the garden as I am on yet another gentle fitness programme. 


A long time ago as photographed by Sophie...


This one is working quite well, mainly because I do not have the Old Bat bullying me into running which I can no longer do, due to bad knee and hip joints (caused by doing too much road running in my twenties and thirties). Instead, I spotted something on Facebook called the Conqueror Challenge where someone (in New Zealand, where there is little to do) organises set walk routes which you do virtually. So you choose your target walk (I chose the ninety mile Hadrian's Wall) and you go out and walk (or run or cycle) whenever you want and put the total down (I've worked out how to do this on my phone or, rather Charlotte did).  You pay £28 per challenge and then have a homepage you can plot your progress on. The Old Bat thinks that paying someone else so you can walk is insanity but it is working and I have been doing it for three months now. I completed Hadrian's Wall and am now doing the 280 mile Grand Canyon (as I have visited there). You can even see where you have got to, virtually, on Streetview. The Streetview views of the Canyon are not very interesting. It's a rocky canyon with a river at the bottom. That's it. Even Up North looks more interesting than that.




They even send you a very blingy medal when you finish so you do get something for your money. When I started, in June, I struggled to walk a mile and a half and was puffed and had chest pains but a month ago I walked six and a half miles home from Epsom hospital after my latest eye injection. You aren't allowed to drive after the injection and the Old Bat is still too ill to drive me, so the fact I could walk that far (in thirty four degree heat) shows how far I have come. No more breathlessness and no chest pains! I have to admit that accompanying wine and food for the Tour may have had a somewhat retrograde effect in the last two weeks, though, so I did another six and a half mile walk today.

Wargames Illustrated have been giving away a lot of Warlord Games figures. I can't bear to throw them away but I don't want most (any?) of them. There must be lots of wargamers with piles of these things. It's like accumulating Salute figures or free plastic rubbish from cereal packets in the sixties. The idea, of course, is that you look at your freebie and then go out and buy more. The opposite has been true of me, I am afraid. I looked at a set of Warlord Napoleonic cavalry and was so unimpressed by the poor sculpting and lack of crispness in moulding I vowed never to buy any Warlord plastics again. Victrix they are not. Anyway, last month the give away was a set of rules for Warlord's new French bread pizza naval wargame, Victory at Sea, which I have no interest in, having seen the ridiculous bases the models are on. Maybe it's not selling very well. Despite being interested in warships and having built many an Airfix ship model in the past I have no interest in naval wargaming. I just see an article in a wargames magazine on naval wargaming and my brain goes into power-saving mode. Yawn. So I didn't bother reading the rules showcase on the rules or another article about eighteenth century naval wargaming. I don't scan over the articles in Miniature Wargaming because the type is now so small I struggle to read it even with my reading glasses. I have to really want to read it to strain my eyes that much. Surely most wargamers are old like me and have eyesight that has deteriorated? Perhaps not. My father in law is 92 and doesn't use glasses for anything.

There was quite an interesting article on how wargames manufacturers are coping with the Chinese Virus but I was surprised, given Baccus employ seven staff, to discover, according to the article, that Warlord employ 103 people. One thing that occurred to me, regarding all the lockdown stuff, was how many rules writers were producing new solo versions of their games. I think I wouldn't buy a set now if it didn't have some solo rules as, realistically, I am not going to be able to organise my own games for multiple players. None of my close friends are interested in wargaming (possibly because most of them are women). I am still too nervous about the Chinese Virus, seeing what it has done to the Old Bat, to venture over to the Shed, despite Eric's kind invitations. Will things return to normal and solo players be forgotten again or will the Chinese keep churning out deadly viruses every year in their bat infested labs until they have achieved the crushing economic dominance they are seeking in their, no doubt, forty year plan?


Starlux 54mm (cicra 1970)


I always look at the figure reviews in magazines and in the August issue I discovered that the new Plastic Soldier Company 15mm ancients figures are made of that new plastic resin which gives them bendy spears, No thanks. I had enough of that with my Airfix figures. Presumably, if they used hard plastic the spears would all break off, which demonstrates, once more, how inferior 15 mm is as a scale for model soldiers because the material you make them from seriously distorts the look of the figures (metal ones have fat spear syndrome, of course). Also, in the review section were the new Victrix French Imperial Guard lancers, How lovely are these? I would love a box of them! My father bought me a Starlux, painted 54 mm figure of a Dutch lancer (sorry, it's a better uniform than the Polish ones) when we went to Paris when I was small (I still have it).




 But I saw an early painted example (above) of the Vixtrix models which just made me realise that I can't paint Napoleonics any more. Does unattainable quality painting of this level actually put people off from buying? It did me.  I couldn't even begin to approach this level of painting. Just trying would stress me out. Thinking about the stress I have experienced here in Chez Sick over the last months I realise that one of the reasons I haven't been painting is that I often find painting figures stressful, not relaxing, when things don't go the way I want them too.

The theme of much of the magazine was command and control which writers all seem to think isn't considered very much in wargames magazines but actually seems to come up quite regularly. This is of great import to the gamer (rather than painter, like me) end of the hobby who love to bang on about it all the time. I remember many tedious discussions about it when I went to Guildford Wargames Club (an old school sort of club) which I no longer go to, partly because of the stress of driving down the A3 on a Monday night in an eighty mile an hour traffic jam. I didn't read any of these command and control articles as they are probably designed for all those people who used to write orders on paper or have courier models to deliver orders. They tend to not care if their wargames table are covered in counters (which I hate). 




There was one article I actually bought the magazine for. I recently picked up Dragon Rampant, as it was reduced, and this article by Daniel Mersey, the rules' author, included all the statistics for the Copplestone Barbarica range of 18mm fantasy figures. Well, the name Barbarica is fairly recent, they weren't called that when they first came out (18mm Fantasy was the catchy name Mr Copplestone devised) and I bought a lot of them. Having been rude about 15/18mm figures in my last (and this) post I am quite excited now about organising some armies for these rules, as they require small forces. I painted some of these about nine years ago (above) and have some others underway (if I can still manage to paint them!). They are very small.




Now, of course, I shouldn't buy any more figures but I did buy into the Kickstarter for Hot and Dangerous figures which are, essentially, 28mm models of attractive ladies in historical uniforms (what can be their appeal?). They are reasonably historical and not too pin-up like, compared with some I have seen, perhaps because, they have a lady designer. They are a Polish firm, I believe. Certainly some will go on eBay but I just hope I can paint them to the standard they deserve.

A major temptation are the Perry brothers announcement of plastic Franco-Prussian War figures. Will this mean metal ones as well? I bought some Franco Prussian figures from Eagles of Empire some time ago but they were, perhaps, a little too idiosyncratic in style for me.




However, this week Eagle of Empires announced a new range of First Schleswig War figures. Now some years ago Matt Golding, of Waterloo to Mons, started to produce his own range of (25mm) figures for this but the range went into limbo, so I might be very interested in these, depending on what the figures look like. Early examples look good.

Good news is that North Star have put their 1864 range back up on their website so I will order some more Danes to finish my first unit.

Two rants this week. One wargames related and one not.

Now, last time I derided the people who hijack new products launches with demands for information on forthcoming pet projects or different scales. This time I have recently seen examples of ridiculously inappropriate ranges in plastic. Some time ago Victrix launched a page on the internet where people could make requests as to what they would like the firm to do next. As ever, some of the answers amazed me. Now I see Victrix as what I would call a rank and file supplier. You buy lots of boxes of core troops in plastic from them and then fill out the more unusual items with metals. Making plastic figures is expensive so you need to be on to a sure seller to make money hence, no doubt, their focus on Napoleonics and Ancients/Dark Ages. Some of the suggestions are very sensible such as Biblical or Bronze Age figures where, rather like the Dark Ages, the number of different troop types needed is quite limited. It didn't take long for the first request for Dynastic Chinese to come in, then Renaissance Poles, fourteenth century Koreans, War of 1812, Bannockburn period, Spanish Civil War etc. Then there was a suggestion for Ancient civilians. And how much diversity will plastic enable you to do on these? Think, man, think. Then there were the people who said 'I know such and such a company already make them in plastic but yours would be better' (ACW and WW2). Then, of course, you had people suggesting plastic forts and dice. One woman suggested female figures including such future best sellers as RAF female supply pilots. Really? A plastic sprue of these? Calm down dear.  Wargames Atlantic, who are even more a rank and file supplier, have also just launched a similar poll to equally inappropriate answers.


This is how I see all dogs.


Speaking of which, one of Wargames Atlantic's recent sets was of Dark Age Irish, which would be quite useful for Vikings in Ireland type games. However they include no less than six warhounds in the set. I have noticed a plethora of doggy models coming out recently. Were war dogs really that common? I  have to confess (and I know some of my readers really like them) that I hate dogs. Not just dislike but hate the stinking, filthy, barking, biting, disease carrying, aggressive carnivores. I cannot for the life of me understand how people can bear to have them in their homes. It's just medieval! Would you keep a sheep or a pig in your house? Ugh! No doubt this is all made worse by recent encounters on my walks by these bounding, yapping creatures jumping up at me when I am trying to walk, quietly. "Oh he is just being friendly' cry the owners, who are totally unable to keep them under control. No he isn't. He is a dog. He is seeing if he wants to eat me. Last year more than 3000 people in Britain needed surgery after dog attacks, Another 5000 had to go to hospital but didn't need surgery. Imagine if wargamers were injuring this many people. Wargaming would soon be banned as inciting violence. Before Lockdown, my lovely former girlfriend K suggested she drive over to see me. That would be splendid, I thought. "Oh I'll be bringing our dog. He is very friendly!" Sorry K, you can't come, I replied. When someone says friendly dog I just have visions of them licking your face. Just disgusting! You make friends with people, not dogs. Grr! I shall now see how many friends on Facebook I lose.




Today's music is Rick Wakeman's new album (as it is Rick Wakeman you can no doubt still call it an album) The Red Planet. This is very much in his The Six Wives of Henry VIII and Criminal Record  (my favourite) mode, although perhaps there is a little too much guitar for me.  The first non classical record I bought (or rather John Palmer at school bought it for me as he worked in Our Price in Kingston and got a staff discount) was Wakeman's White Rock which I then spent ages seeking out on CD as it wasn't released in the UK until comparatively recently, so I had to buy a Japanese import at great expense.




Today's wallpaper is William-Adolphe Bougereau's Biblis (1884). During his lifetime (1825-1905) Bougereau was considered one of the world's greatest painters but he fell out of favour at the beginning of the twentieth century, along with most other classicist painters, and was not really rediscovered until the nineteen eighties. Biblis (or Byblis), the legendary daughter of Miletus of Crete, is here depicted in despair, as her twin brother had just fled her amorous advances. Naughty!

Sunday, April 14, 2019

Paint Table Sunday: Back to Napoleonics and on to US Infantry



Even though I didn't think it was a classic Salute this year it has got me energised about my painting again. Having finished the Byzantine archers just before I left for Excel last Saturday it was time to get going on another unit. So far this year I have completed three units. Not quite one a month, partly because I was in Botswana for ten days, so I should really have picked some figures for April which I could get on quickly with. 




So last week I decided to get started on assembling some of the new Perry Miniatures WW2 American infantry. These have a pretty simple colour scheme so I thought maybe I could get some done, start to finish, in a couple of weeks.  Oh dear.  Now I often read about wargamers who refuse to do plastic figures because they don't like assembling them and I have some bad memories of some Victrix Napoleonic French from years ago. I have always found the Perry figures easy to do, however. Not these!  To cement six pairs of arms to the bodies took me 38 minutes. Argh,  I thought. as yet another arm fell off as I tried to position it. The real problem is the arm poses that require two arms holding a rifle. The left hand is attached to the rifle so there are three gluing points: the two shoulders and the wrist of the left hand. As soon as you get one arm in place and try to attach the other you end up pushing the first arm out of place When you try and get the wrists in the right place for the hand on the rifle, one or other of the shoulders (or both) go out of place. All the time you are trying to manoeuvre the parts into place the glue is drying. The whole process is really, really stressful and not part of what should be a relaxing hobby! Some of them still aren't quite right and the shoulder joints will require some filling. Also, the Perries themselves say that not all arms will fit on every body but there is no information in the instructions to show which ones go with which, Very much the least enjoyable half an hour with model soldiers I have had for many years. I was going to build and paint a section of 12 men but don't think I can bear to build the next six for a while!




Before I could even build them I had another crisis as I was about to build the first figures but found that I couldn't get any glue out of all three of my tubes of Revell cement. It seems to be like Games Workshop liquid Greenstuff; you open it to use it once but the next time you want to use it it has all set. Fortunately, the people of the Painting, modelling and gaming Facebook group came to the rescue. After well meaning suggestions such as use a lighter to heat the metal tube, use a gas cooker lighter and use a guitar string (?) someone said any flame would do, given I didn't have any of the three things suggested. I actually didn't have any matches, either, so had to go to Tesco but using a candle flame soon had them unblocked, miraculously. I would have just gone out and bought another tube of glue but couldn't as it was ten o'clock at night. I am just hopelessly impractical!


 One figure missing, which I found after I took the picture, thank goodness


Instead, inspired by the three-ups of the Perry French Napoleonic infantry I saw at Salute I got my British 87th Foot out to work on. I put these to one side as I had a nasty attack of strap phobia but yesterday confined myself to shading the flesh and the trousers. This is a big unit, for me, of 24 foot and a mounted officer so they will take some time to finish. Now, too, of course, I realise that I have the stress of the arms to do, as I am painting them without arms so I can access the front of the uniform. Looking at the arms on the sprue I can't work out which arms will give which pose so that is more stress to worry about. Good job the doctor has just doubled the dose of my blood pressure pills.



2016  - 22



2017 - 17



2018 - 13



2019 -  12

I have enjoyed reading everyone else's Salute posts and looking at the pictures of all the games I missed. When I went round I thought that there was less, WW2, Napoleonic and ACW games than usual but it my be I just missed them.  Other people have said that the Blogger meet up was smaller this year (it was an hour earlier than usual) so I have decided to apply some science by digging out pictures from the last four years. Now, of course, people come and go ,so this is a only a point in time sample. The trend is down, however.  I don't post on my blog as often as I used to, so perhaps if there was a wargames Facebook meet up there might be more people but who knows?


My forces overrun the kraal and send the British scarpering


One thing I posted on my Facebook page but haven't mentioned here was another enjoyable Zulu ward game at Eric the Shed's.  This was a recreation of the Battle of Khambula held just a few days shy of the 140th anniversary.  We had five players: two for the British and three for the Zulus. I took control of the Zulu right wing and was immediately in trouble because I couldn't remember anything about the Black Powder rules; in particular how to activate my forces, so spent the first two moves immobile, waiting to see what everyone else did. In the end the game was something of a draw but miraculously I didn't lose a unit, unlike everyone else.




Eric's table was simple but effective and the battlefield layout was instantly recognisable from the central fortified British position on the hill. Eric's account and some excellent pictures is here.  What I really need to do is read up on the rules before I play a game so I have at least a vague idea of what is likely to be going on. Unfortunately, I play so rarely (this was my first game for a year) that I always forget the rules completely.




Another issue is that,all of my wargames rules are trapped behind a giant pile in my study consisting of cardboard boxes (mainly used to send Charlotte things to Edinburgh which she has forgotten), seven file boxes of unpainted figures and almost the entire output of Penthouse magazine from the nineteen eighties.  All need to be relocated so I can actually read my rules before a game!




I went off to MG day at Brooklands with Guy today, as his grandfather wants to buy him an MG (the Old Bat is resisting of course but then she resists anything which isn't her idea).  There were hundreds of MG's of every sort there but I really liked this one!



Back home for lunch and the light was quite good. I meant to get on with the Peninsular British but caught the end of John Carter (2012) on TV last night so did a couple of hours on this Modiphius Thark. There is still a lot to do on him but he is probably more than half finished now.. It's so nice to paint such a large figure. Maybe I should get some Victrix 54mm Napoleonics!




Last week I went to the Bonnard exhibition with my particular friend K, who used to model for me at Oxford, Not in the bath, though, as you would need hot water to keep the lady comfortable but the steam wouldn't be good for the paper.  Also, I remember the BBC drama on the Pre-Raphaelites where poor Lizzie Siddell had to spend days in the bath while Millais painted her for his Ophelia, As a result of being in the cold water she got very ill and her father, fifty medical bills later, demanded that Millais pay up for her treatment, which he did, fortunately. Interestingly, the landscape part of Millais'  picture was painted from the Hogsmill River in Ewell, not that far from where I live.  No such worries for Bonnard, who largely painted in the South of France, so his naked ladies (usually his wife and the occasional mistress) would not have been too cold, hopefully. This one, Nu dans le bain, was quite a late one, painted in 1936.  I first learned about Bonnard from an art book in our school library and I had several postcards of his paintings on my wall at college. 




Today's music is the soundtrack from John Carter (2012) by Michael Giacchino, which I had to buy, at great expense, off eBay not long ago as it is no loner available. I've played it a couple of times now and it's definitely growing on me, with some strong themes although some of it is quite remiscent of Howard Shore's Lord of the Rings and David Arnold's Stargate scores but that is a good thing!


Anna Gaël, the latest addition to Legatus' Wargmes Ladies


Finally, some of you (quite a few by the number of hits!) have noticed a few posts on Legatus Wargames Ladies this last week from Italy's Playmen magazine. It was designed as an Italian copy of Playboy from a time (1967) when Playboy was banned in Italy, Unlike Hugh Hefner at Playboy, Bob Guccione at Penthouse, Larry Flynt at Hustler and Paul Raymond at Men Only and Club, Playmen was very much the brainchild of a woman, Adelino Tattilo, who ran the magazine for over thirty years; choosing the centrefolds, cover pictures and championed its left wing, reforming written content. The effect that Playmen had on the social attitudes, fashions and culture of Italy cannot be underestimated. Tattilo was very interested in the cinema and there were regular pictorials from the sets of films being shot and virtually every young Continental actress happily stripped off for its pages, thankfully. We will be featuring some of these on Legatus Wargames Ladies over the next few months, as we have shamefully neglected it!

Thursday, January 03, 2019

Wargames Review of the Year 2018


Victrix Carthaginian war elephants.  A good start to the year.


Determined not to issue my wargames review of the year when the crocuses are coming out I have decided to start it before Christmas. In fact, 2018 saw very little wargaming but an otherwise disastrous hobby year was saved by a late flurry of painting.


Figures Painted

The Army of the Dead from the Lord of the Rings Painted in just five weeks!


I began the year full of good intentions and a nice project of the lovely Victrix war elephants but having finished the pachyderms I had a failure of nerve as regards shield transfers on curved surfaces so haven't quite completed them. I have just four crew to complete so will try to get them done in January. I counted each rider and elephant as two figures so I had completed just four figures come October.  I did do some odd bits on my Fireforge Byzantines and started some Napoleonic British but was stymied by continued struggles with my eyesight and can now only paint in bright daylight.  I have had a series of injections into my left eye and it has really improved my vision in that eye, which was my weaker one but is now the stronger. Today, the hospital has recommended that I get my right eye done too over the next six months.

My painting year was saved, however by the Sculpting Painting and Gaming Facebook Group. Someone had the brilliant idea of having a 'paint 30 minutes a day' challenge. I set to work to do some more figures for the Lord of the Rings and although I haven't managed to paint quite every day I have painted the most for about four years. So my completed totals are:

Lord of the Rings: 89
Punic Wars: 4
Total:93

Ninety-three figures in a year is my best total since 2014. I have also finished another nine Byzantines in the first couple of days of January.  I tried using washes for the first time (hit and miss) and acrylics (definitely a miss) and I am slowly coming to terms with the fact that I just can't see to paint as well as I could even two years ago.  Figures with shield transfers, even though they are a pig to put on, make my figures look much better than they are.


Wargames played 




Just one wargame, again, in 2018 with a Napoleonic game for Richard Sharpe and associates at Eric the Shed's.  Epic scenery, of course, and an entertaining large skirmish which also incorporated offshore naval; bombardment.  Sadly, that was my last visit to the Shed as I am too unreliable an invitee because of evening conference calls as well as my total inability to remember or understand rules. Although I have now discovered the reason for this, as it turns out that I am dyspraxic. This explains many things about me; such as the fact that I didn't learn to tie my shoelaces until I was about fourteen, still struggle with tying ties and cannot do knots for sailing. It also explains my total inability to play ball games such as football, tennis or golf or play computer games. This may also be why I can't use tools, do DIY, constantly drop things, trip over all the time, can't parallel park and have difficulty reversing the car (I cannot comprehend how people can reverse into a parking place at a supermarket and always choose those slots with an empty space on each side). I basically cannot envisage stuff in three dimensions and my brain just freezes.  Difficulty in interpreting rules of games is part of this, it seems, which may explain why I can read them but cannot imagine how they work out in practice.  I'm too stupid for wargaming, basically, as I have long suspected.

So it will be solo gaming going forward, if any, where I don't feel pressured to think quickly, so I am going to focus for next year on rules that allow for this (like The Men who would be Kings and the new Sons of Mars gladiatorial set).


Scenics





I started a number of scenic projects in 2017 but haven't progressed any of them at all in 2018, apart from some undercoating.  Several projects have got stuck because I started painting them and now can't remember what colours I used on them.  I did buy some more stuff from Grand Manner before they went to only selling painted items, principally a Zulu village and some Sudan type houses. I really hope to move some of this along this year.  I have been buying the occasional piece of aquarium terrain, and plastic plants though, for my Lost Word/Savage Core project.


Shows


Sixth from the left


I did get to Salute this year and it was, as ever, nice to catch up with other bloggers but that was my only show as I didn't get to either Warfare (I hate driving into Reading) or Colours, due to having to collect Guy from Oxford for the end of term. Anyway, I really do not need any more hobby stuff!


Lead (plastic and resin) Pile 



I stopped recording my purchases this year so have no idea how the lead pile increase went but I bought a lot, mainly in the second half of the year.  I bought the Red Book of the Elf King figures but may sell these on as I can't do them justice in paint, especially now that I am painting Middle Earth again.  I also bought the Star Wars Legion boxed set but I have seen so many exceptionally well-painted figures for this it has put me off painting them, even though I have wanted such figures since 1977.  I have bought quite a few plastics (Victrix Republican Romans, Perry Zulus, Lord of the Rings Pelennor boxed set and Fireforge Byzantines) and some metal figures too, such as more North West Frontier, Stronghold female Vikings and even some English Civil War.   I also bought some more resin Raging Heroes figures although assembling them looks to be a nightmare!


Kickstarters




I did buy into a number of Kickstarters.  I couldn't resist the 28mm Bunny Girls from Dark Fable miniatures even though I have no idea what I will do with them but I did create this Osprey cover for them!  Not that I would need an Osprey as I know pretty much everything about the evolution of the uniform! At least these have arrived, as has another load of Ancient Egyptian ladies, also from Dark Fable.  Other ones I backed and am still waiting for are the John Carter of Mars roleplaying game figures, the Black Hallows townsfolk and the War and Empire Dark Ages figures.  I am still also waiting for anything from Kongo Acheson Creations African scenery which I supported back in 2017. In February, nearly four years after I ordered then, my Wargods of Olympus figures arrived. I am not planning to play the game but use the figures for Jason and the Argonauts.



Wargames Rules




I didn't get many sets of rules this year, which is just as well as I never use them! The new consolidated Middle Earth rules were in the battle of Pellenor Fields set. I also got some Back of Beyond scenarios. The main rules were the Red Book of the Elf King ones and the Sons of Mars gladiatorial rules which are supposed to work for solo play.


Wargames Blogs and Facebook




I only posted twenty times on my main blog (this one) in 2018, which is the least ever. Mainly this is because, of course, I didn't really paint anything until the last quarter of the year. I also only posted on four of my other blogs.  The most popular of these, with nearly 200,000 visits, is my Sudan War one and I haven't posted on that since 2012, although it still gets around 2000 visits a month.  I passed 750,000 vies on this blog this year and the most popular post, with 2025 views, was my Salute post.

I am posting more on Facebook, hence the lack of blog posts and in the last few months there have even been some wargaming posts! This time last year I had 151 friends and today I have 246, although I have deleted a lot due to political posts. The real positive aspect of Facebook for me is the groups and I have joined a lot of these this year. The most influential was the Sculpting Painting and Gaming group as someone came up with the idea of a paint for thirty minutes a day challenge and this has re-energised my painting.  In the last 9 weeks, since the challenge began at the beginning of November, I have averaged four hours forty two minutes painting a week.  I hope to keep this going!

Plans for this Year




I want to keep my painting momentum going but need to finish a few odds and ends including the War elephant and the Byzantine spear unit. I have the first unit of Byzantine archers ready for painting now (undercoated today). I also want to dig some figures out of my 'under way' pile which I can complete fairly quickly. I'd like to do some more ACW, some more North West Frontier and also some more on the 1864 Danes. If I am brave I will go back to my British Napoleonics too, although I am stymied on those by not being able to work out which arms I need to fit for which pose and I don't want to paint them all and find I don't need half of them! . It's the dyspraxia again!  I have also, at last, found the painting reference I have been looking for for my Franco-Prussian War figures so they might get some attention this year too.


Distractions




Another Facebook group I joined was the Mediocre modellers group on the basis that I might have to move onto making model kits if I couldn't paint figures any more.  The name proved to be a total misnomer, however. with people posting the most amazing things. any of these (and on some of the figure groups too) have the poster saying something like "Hey, guys, this came out OK, I suppose, what do you guys think". They then show some incredible example of construction/painting.  One day I am going to tell them not to fish for compliments because it is vulgar, desperate and arrogant. The false humility does not fool me. These are my most hated hobby group of people of the year (even more than the 'we shouldn't paint small figures of objectified women' types.  Sorry, I will continue to appreciate women as beautiful objects (as long as you don't treat them like objects) and that includes tiny sculptures of them. You are girly men (like Chris Boardman banging on about abolishing podium girls at cycling races).

Anyway, I bought a Tamiya Sherman to have a go at in the a dark evenings when I can't paint.


Musical Accompaniment



While writing this post I listened to John Williams' soundtracks for the first three Harry Potter films although I am not really a fan of the films and certainly haven't read the books. I have just ordered the limited edition seven CD extended soundtracks for the first three films.  Charlotte has been trying to persuade me to get the new Harry Potter miniatures game but I have heard bad things about the quality control of the set: broken and missing parts, mainly. The real issue is that I just wouldn't be able to paint them properly!

Next time it will be my non-wargaming review of the year.

Saturday, August 04, 2018

Paint Table Saturday: Redcoats and what's been going on.




I haven't posted for over two months because I haven't managed any painting at all.  There were a number of reasons for this: some major work crises, a member of the Old Bat's family being very ill, some problems with my PC which meant I was on a laptop for two weeks (my poor eyes) and the extreme heat not being conducive to painting. However, last weekend I actually had some time on Saturday, so I set to for an hour (the maximum time I can manage, now).  I should be finishing my Byzantines (actually I did a bit on them yesterday) and my Carthaginian elephant crew but they all have shield transfers that need doing and I am putting that off until I feel braver.




Instead, I picked out a random box of part painted figures from my in-progress pile (now tidily sat on the shelf behind me) and this turned out to be some of Orinoco Miniatures British Legion for the Latin American Wars of Independence. This range coming out coincided with me having to travel to Colombia a lot and next year (August 7th) they are having a big celebration of 200 years since the key Battle of Boyacá, which saw the defeat of the Spanish and the subsequent creation of Gran Colombia. So far, the Orinoco Miniatures range isn't complete (they are lacking Spanish cavalry (although they have been sculpted) but at the speed I paint that doesn't really matter. The key thing was to find some figures with no shields!




Now, you may think, what are those armless plastics lurking in the background?  Not Napoleonics again?  The period I have said I was going to abandon at least half a dozen times. Well, it was like this.  I went up to London last Friday to meet someone who wanted some advice on something to do with work. I waited for the woman outside where we were supposed to meet, in the sun, in 30 degree heat and after half an hour I decided to forget it. As a man who I used to work with in Switzerland once said: "every minute you are late you are wasting one minute of the other person's life".  Turn up on time!  You're not Italian!  Sweltering and angry (I am increasingly angry about everything and I wasn't exactly Mr happiness and light before) I realised that I wasn't that far from Orc's Nest so thought I could pick up August's wargames magazines.  They had them and I went upstairs to see what plastic figures they had (less and less every time I go).   I wondered what would cheer me up (it's like my friend Sophie and shoes - you don't need 147 pairs of shoes (yes, really) but if buying them makes you happy...).  Well, I thought, my overheated brain operating on dehydrated logic (fuzzy logic), as I am painting British infantry from 1819 if I get British Napoleonic Infantry they will use the same colours.  Congratulating myself on my brilliance, I happily skipped off back to Waterloo Station (ironically) with that warm feeling you get from knowing that you have a box of Perry Miniatures in your bag. It's not quite as good a feeling as knowing that you have a bottle of Cloudy Bay in your bag or Miss Vietnam waiting for you in your hotel room but it still cheered me up a lot, especially as I hadn't had to talk for two hours about developments in infrastructure finance in Latin America to some ungrateful and disorganised, sponging bint.


Mostly armless


Back home, of course, reality dawned and I wondered what on earth happened to cause this state of affairs; like that time at the infrastructure conference in Dublin when, after a night drinking Bushmills with some insurance brokers and going to some Irish musical evening I woke up the next day to find a naked lady journalist in my bath.  How did that happen?

The first question,with this set, of course, is whether to do Waterloo or the Peninsula. Now much of my early wargaming was Waterloo, with hundreds of Airfix plastics and scratchbuilt models of Hougomont (not by me, by my clever friend Bean Kid from some instructions in Military Modelling - I paid him £5, I think and a copy of Penthouse) and La Belle Alliance to go with my Airfix La Haye Sainte.  But, as Mr Mike Siggins pointed out on my Facebook page this week, in doing Waterloo "you are digging a hole for yourself".  Not so much a hole as the Grand Canyon.  So, as you can see by the hats (I've always thought the Belgic shako was a bit silly, anyway) I have decided to go for the Peninsula.  Now the eagle eyed among you will notice that my close up of the paint table figures does not match the one further up the page.  Where, you almost certainly are not asking, is the British Legion; the spark that provoked the Napoleonic purchase in the first place?  The answer is, that they are back in the 'in progress' box. This is because I have started on the British and have decided to drop everything else and concentrate.  Hollow laugh.




I looked at the Peninsula folder on my computer and, in the May when Charlotte was born (1995) I had looked for a small battle in the Peninsular war to paint plastic figures for. I had settled on the Battle of Barossa, in 1811; this being, of course, the battle where Sergeant Patrick Masterson, of the 87th, captured Britain's first Eagle, from the French 8th Ligne.  Sorry, Sharpie. I even had an order of battle against which I had marked how many figures I had completed.  Now, given I don't like fictitious battles, this looks quite achievable in a decade or so.  At 1:33 (which is the ratio I had chosen for my plastics) you would need 133 figures on the British side; mostly infantry with only a few cavalry (10 figures) and two guns.  Oh and no Highlanders! So, time to start!




I am notorious for painting figures and not units, which may well be one of the issues in me rarely finishing a unit. When I do set out to paint a unit it usually goes better (tries to ignore his ACW project from last year).  So what I needed was a British infantry unit to paint for the battle of Barossa. The biggest British unit at Barossa was the 87th Foot, The Prince of Wales Irish, with some 820 men which, at 1:33 equates to 25 figures. Not at all impossible. So the 87th it is and I even ordered the Victrix ensign for them, which arrived today. There were also 750 men of the 95th Rifles at Barossa too, so the four figures in the box will need boosting, so I sent off an order for Perry Miniatures for some metal Rifles reinforcements and some mounted Colonels too.   I'm not even going to think about the French yet, as I am going to need 213 infantry but only 12 cavalry (dragoons - hooray!). Warlord (the Sky Team of wargaming) have an offer on their Early French foot at the moment but I don't know if their figures are any good as I have never bought any of their Napoleonics.  I have read some iffy reviews of some of them.

I have made progress this week, basing and undercoating the whole unit (apart from waiting for the Colonel (actually Lt Colonel Hugh Gough, later Field Marshal, Sir Hugh, Viscount Gough) from Perry Miniatures). I am not able to paint at the speed of the peerless Eric the Shed but while eschewing the dip I have decided to go for a wargames standard and will take some shortcuts on these. I have started by (grits teeth) deciding not to paint the figures' eyes and also leaving the arms off, initially, so as to be better able to get at the straps. I will also paint the packs separately.  Victrix do transfers for packs and canteens but I won't be getting those either (well maybe for the 28th as they had a plate on the back of their shakos).  So by this afternoon I had got the faces painted and shaded and the first shade on the jackets (remembering to do the officers and sergeant in scarlet).


Barossa (or Chiclana as the French call it) 5th March 1811 


This painting of the battle is by Louis-François Lejeune (1775-1848), who was a soldier (eventually becoming a général de brigade and Davout's chief-of-staff) and took his paints on campaign with him.  Although this painting wasn't done until 1824 he was on active service in the Peninsular and made many sketches while on campaign, giving his depiction of troops an authenticity other artists lacked.  He does not, for example, like a lot of contemporary artists, have the British in Belgic shakos. He left the army in 1813 after sustaining a number of wounds in battle and devoted his life to painting, also becoming the mayor of Toulouse in 1841.




So what else have I been up to since my previous post on May 19th? Not that you care but I am going to tell you anyway.  Well, I spent valuable painting time washing up as our dishawasher packed up and despite three vists from the Dishwasher Doctor he couldn't save the machine (it was nine years old and sometimes we run it two or three times a day if the children are home, as we all eat completely different meals). It took two weeks before a new one arrived which was very character building for the Old Bat.  Charlotte refused to help by washing the numerous pots and pans she gets dirty when making vegetarian sausage chilli.  "You're the housewife," she said to the Old Bat. "I'm on holiday!  What else do you do all day?"  This did not go down too well.  Now washing up by hand to the standards of the Old Bat is not a simple matter.  You can't just swill them around in a washing up bowl of soapy water (I have only just learned that the UK's use of washing up bowls inside their kitchen sinks is unusual - you must get lots of broken crockery, Johnny Foreigner) and then rinse.  Oh no.  You have to use boiling water (and super industrial washing up gloves as a result) which needs constantly changing.  Before we had the dishwasher the Old Bat would spend an hour and half every evening washing up but that was before she discovered Love Island (really?).




Back at home, the following week, I had a phone call early one morning.  The Old Bat picked it up and said: "It's Gerry Embleton for you."  Well, I was a bit shocked.  I had ordered this picture (from an Osprey) from the Illustration Art Gallery a few weeks before and they said it would be delayed because it was in Switzerland. I wasn't expecting the artist to ring me up but it turns out he lives there.  He was very apologetic and said that, unfortunately, he couldn't find the painting anywhere and he suspected someone had stolen it from one of his exhibitions.  We had a long chat about painting, wargaming, painting military figures (which he used to do as well) and working for Osprey (which he no longer does).  I actually didn't mind about the painting being lost (I did get a refund) as I had the opportunity to talk to one of my favourite illustrators, whose work I had appreciated since the pictures he did for Look & Learn back in the sixties and seventies.  It quite made my day.




As the heatwave continued I found myself locked in my study working on a series of big reports and proposals in the gloom I have to experience when the sun is out, as I have to have a blackout blind drawn down and the desk light on or I can't see my computer screen.  We had a whole series of deadlines to hit which made 12 hour days, seven days a week for over a month.  I basically didn't leave the house, so when I did I was sort of shocked by how hot it had become in the heat of the day. The thermometer in my study was reading 32 degrees first thing in the morning.




I realised how hot it had got when we all went to the Goodwood Festival of Speed, which was part of Guy's 21st birthday present, held over from March.  It was just baking and I started to feel quite odd, despite guzzling bottle after bottle of water. Guy has no patience with older people and so I wasn't allowed to sit down and have lunch at any of the appealing looking pop up restaurants. The Old Bat does not approve of eating out, which she thinks is a terrible waste of money.  I am not a petrol head, have never owned a car and don't enjoy driving but I appreciate cars from an aesthetic standpoint, particularly the older ones.  There were a lot of cars there and while I wasn't that impressed by all the supercars, as living where I do you see them all the time anyway, but I enjoyed seeing the historic cars, including one of the three Mustangs which they used to film the chase in Bullitt (1968).




Best thing about the day was Jet Pack man, though, especially when he flew under the bridge over the track. I really want one of these to get to the station!  The old style Bell rocket pack they used in Thunderball (1965) and at the opening of the 1984 Los Angeles Olympics could only run for about thirty seconds but this one can go for up to eight minutes. Invented by someone from Britain it is now being funded by the US Military.




I first came across the Napier-Railton in my Brooke Bond tea cards History of the Motor Car in the late sixties.  I loved all the pipes and stiff emerging from its body. It's certainly like a Pulp vehicle; it looks like it should have Doc Savage at the wheel.  The original car is in the Brooklands Museum, which is about seven miles from where we live and my Uncle Wally had a lot to do with setting up. 




"They're going to be running it in the hill climb!" exclaimed Guy as we looked at the Goodwood programme.  A replica surely? But no, more than eighty years after it was built, it was able to hammer up the hill in fine, gleaming, mid-thirties style,  Not just a dusty museum exhibit, this.




The following weekend Guy and I went to the Brooklands Trust Classics day (we both joined as members which means we can get in for free and use the members bar, restaurant and verandah). We went to have another look at the Napier-Railton, now safely returned from Goodwood.




This is the Daily Herald trophy, awarded for the fastest lap of Brooklands (the world's first purpose built motor racing track) which is now held, in perpetuity (as the track has been chopped up to make way for shops and offices) by the Napier-Railton, driven by John Cobb at 144 mph in October 1935




This is a great shot of Cobb setting the record on 7th October 1935, all four wheels of the Napier-Railton off the ground on Brooklands famous banking.




 Morris


Singer


There is still some of the banking left at Brooklands and they had some of the British classics parked up on it. The bridge in the background of the colour shot above is the same one as in the black and white picture.  I was excited to see a Singer Gazelle and a Morris Oxford; two of my family's childhood cars.  The condition of most of these cars was amazing.  I don't think ours ever looked this good, even when they were new!




There was a large auto jumble at the event, where you could pick up bits of car, if you were so minded but having no interest in bits of cars I bought a naked girly statue instead, given I didn't think they would let me take the Daily Herald Trophy.  Guy though that this was typical.




Next it was music, rather than vehicles and a trip up to the Guildhall School of Music where my niece had an opera performed.  She has written a chamber opera before but this was the first one which has been staged with sets and costumes.  Called A Risk of Lobsters the story is far too convoluted to explain but was set in outer space, under the sea and in the court of a ferret prince.  She has now been taken on by the Guildhall as a fellow for next year and has done an interview and had her music played three times on Radio Three now.




Today's wallpaper is an appropriately Napoleonic period painting: Jean Auguste Dominic Ingres; La Grande Odalisque, which dates from 1814.  It was commissioned by Joachim Murat's wife Caroline, Napoleon's younger sister.  It was not well received at the time, with its deliberately distorted anatomy, but when I first saw it in the Louvre at the age of twelve I had to buy a print of it, along with a Renoir nude and Théodore Géricault's officer of the Chasseurs of the Guard. Soldiers and naked ladies being my two favourite things, even then.




Today's music also has a Napoleonic link (or perhaps an anti-Napoleonic link) in that it is my favourite Beethoven symphony; the 3rd, With Dvorak's New World this was the first classical record I owned when my aunt gave me her copy (as it was a duplicate) when she got married in 1968. I never get tired of it (unlike the 5th and 6th) and used to play it when setting up my Airfix Napoleonic wargames back in the early seventies so still resonates when painting British infantry (not that I ever painted any of my Airfix figures, except the British Hussars). This was the 1957 stereo recording produced by Walter Legge and it is still my favourite. My CD version has the advantage of no break part way through the second movement, either, like the LP did. I will be away for a bit shortly, so my painting will stop for a few days but will hopefully resume soon.